REVIEW: BLACKPINK - DEADLINE EP

4/5

Deadline Day

"BLAAAAACKPIIIINK! BLAAAAACKPIIIINK! BLAAAAACKPIIIINK!" 2026 may be the year of 'Arirang', from South Korea to the rest of the watching world it now dominates in entertainment, more than Hollywood right now, thanks to the return and reformation of BTS and their ARMY, after the men have completed their mandatory military service for their country. But look who just came in and spoilt the party...or should we say joined it for K-Pop at its finest! BLΛƆKPIИK ( 블랙핑크) are back in your area, following their own solo sojourns, as Lisa, Jisoo, Jennie and Rosé reunite for the first time since they were 'Born Pink' in 2022. All on the same New Music Friday that Rosé's 'APT.' anthem partner Bruno Mars returns with his own album, and his first solo set in ten years. Save his Silk Sonic group with the amazing Anderson .Paak. How apt.

This pack are a fantastic four with five famous in an instant tracks to track their progress. Their debut, lifting us out of quarantine in 2020, alongside Lady Gaga's 'Sour Candy' (she also knows Bruno and new music) was called 'The Album'. Call this mini one, The EP, as BLACKPINK have more than just met their 'Deadline' in all black. They've aced the test. Solo wise, just like their BTS brothers tiding us over before they came home, this YG group were nothing to sniff at either. Jennie, headlining Tokyo and Osaka's Summer Sonic festival this Summer with The Strokes and Japan's own Sakanaction and BABYMETAL, and her 'Ruby' red classic. Rosé's 'Rosie' showing she was your 'Number One Girl', Lisa's amazing 'Alter-Ego', and my favourite (just saying) Jisoo's 'Me', not to mention her darling Dior campaign. You can see it on the billboards of history, before they take the chart of the same name for their '뛰어 (JUMP)' single sensation, telling you to bounce in Korean and buy the t-shirt that's sure to be a 'Number One' merch hit from Seoul and a train carrying goods to Busan. Not to mention the rest of the international shipping world. Bruno may have the classic cohesive album, but Blackpink have the best tracks.

The kinetic classic music video is amazing, and something K-Pop legend CL would be proud of as these singers rock and rap. Referencing everyone on this EP from Bruce Springsteen and the Spice Girls (those that paved the way for all wannabes) to Golden State Warriors NBA star and winner Draymond Green (just wait for his next Instagram story with the King in him). Speaking of 'Champion(s)', BLACKPINK are also that, reaffirming this on an instant verse, chorus, hook, line and singer earworm. Burrowing with lines like, "If I ever, ever fall down one time/I'ma keep going on, 'cause I know I'm a champion/And if I take a, take a L, I'll still fight/'Til the bitter end, I'm strong, 'cause I know I'm a champion", and the new PINK chant for your area. All to prolific, powerhouse production from Dr. Luke, attending to the boards. You should really press 'GO' on all these album artworks and singles that now become new BLACKPINK classics, even though this is not an actual album. The confidence and empowerment are now at an epic level. And they can't come down. They won't come down. The comeback is complete.

"When your heart is broken, baby/Darkness on the edge of town (BLACKPINK'll make ya)/Try to keep it open, baby/Try to let your walls come down (BLACKPINK'll make ya)/I know you're frozen, baby/Love can make you turn to stone/You could stop and be alone/Or you could (Ah, ah, ah)." The impossible mission is complete, Tom, as these wonder women row the same boat that Aaliyah rocked for the record. On 'Me and My', they give it up for their boos, like Usher and Alicia Keys, each other. Singing, "Just me and my day ones, pretty girls walkin' (Walkin')/Golden like we Draymond, they pay us for a walk-in (Walk-in)/Step (Step), step (Step), step into some commas/Yeah (Yeah), yeah (Yeah), boys all wanna holla/I'm one-of-one, not two, in my hottie season (Season)/Givin' 'tude to ya, I don't need no reason (Reason)/Daisy dukes make me speak my mind, I'm beamin' (Beamin')/Kinda cute, glistenin', it's in her being (Hahaha)." They can even make a 'Fxxxboy' record sound sweet, taking the power back like, "If my signals mixed and messy/Bet you think it's destiny/Call my ex, send late night texts/'Cause I get off on jealousy/Keep your expectations/Underneath the pavement/Guess karma's a b####/How's it feel? Now I'm the f###boy." Even the National Museum Of Korea is getting in on this 'Path To History'. Forget about the man in the arena. These are the women in your area. Born again. TIM DAVID HARVEY.

Playlist Picks: '뛰어 (JUMP)', 'GO', 'Champion'.

Spin This: BLACKPINK - 'The Album'

REVIEW: BRUNO MARS - THE ROMANTIC

4/5

The New Romantic

Earth to Mars. It's crazy to believe that it's been ten years since his last album, '24K Magic', and the Sin City anthem of the same name (even longer since he was giving us that 'Uptown Funk' earworm with Mark Ronson in a pink suit and fedora), but Bruno is back, ladies and gentlemen! After what seems like a Presley permanent Vegas residency to pay off some bills, and making more duet hits than Tony Bennett, see 'Die With A Smile' with Lady Gaga, Bruno Mars returns to mark the end of February's lovers and make 2026 his calendar. We already told you about the big-three releases to start this year. Labrinth, J. Cole and Jill Scott. And even the big-three last week (Mumford & Sons, U2 and perhaps the best release of the first quarter from WILLOW). But this New Music Friday may just be monumental. Perhaps one of the biggest hits of the last few years was New Zealand and South Korean singer Rosé's 'APT.' with Bruno Mars. I even use it as a teaching tool for kids in my English lessons for "on, under, next to, in." Aha, aha. But now for the same weekend where we get 'The Romantic' Bruno Mars, Rosé is back in your area with her BLACKPINK army to meet the 'Deadline' of a new EP.

Resisting the temptation to include both of his recent and biggest hits ('Die With A Smile' and 'APT.'), he's about to put them on 'The Collaborations' compilation for Record Store Day, next month, Bruno Mars gives us an amazing album, of nine straight-shooting classics for his fantastic fourth. Returning to his roots and extending the love of South American music given to us by Bad Bunny at his super Superbowl Halftime Show that brought everyone together, for better over worse. It's a shame though, because the man who once headlined the biggest event in the NFL in 2014, bringing out the Red Hot Chili Peppers, for Coldplay to then bring out him AND Beyoncé at their own half-time show, missed a trick not appearing alongside Lady Gaga for her Latin flared version of their signature 'Smile' song. And in turn, putting said version on here. But that's alright. The man with the best backing dancers in the biz, proves that he only really needs himself, like Andre 3000 in 'Hey Ya!' green, for his sensational new single 'I Just Might'. Yet it's the second one, and its absolutely beautiful music video, that's the sweetest as soon as you see red, ready to 'Risk It All'.

"I would run through a fire/Just to be by your side/If your heart's on the line/You could take mine", the man who said he'd "catch a grenade for you" says, when most men will just leave you on red. This is Bruno Mars fourth solo set, and first in a decade, as we said. But it's his fifth if you include 'An Evening With Silk Sonic' and his collaboration with Anderson .Paak back in 2021. And most of this music sounds like Silk Sonic styles flowing on beautifully through your speakers until you 'Cha Cha Cha' with the one you love and hold closer than Rosie Gaines. Mars has been attacking this album for the last two years and gives us the sweetest sketches for this album artwork. Boasting for his girl that 'God Was Showing Off' when he makes lines like "Is it your eyes that light my sky?/I bet in the pourin' rain, you still shine/Is heaven your name (Is heaven your name)/Or is it divine? (Or is it divine?)/Don't matter, girl, it's gonna look good next to mine." Now 'Why You Wanna Fight' that, like this delightful, definitive D'Mile produced album.

Soft-soul has never sounded so sensual and sweet, all the way until the man, who moves like no other, tells you to 'Dance With Me', like 112, clapping your hands because you're sexy and you know it. Searching for the seventies like the sonic sounds of silk, Bruno best himself 'On My Soul'. But it's 'Something Serious' that stirs even more. "I’ll be there (Ooh, yeah, yeah, yeah)/Say that you need me, girl (Ooh, yeah, yeah, yeah)/Say that you want me, baby (Ooh, yeah, yeah, yeah)/Come on, come on, come on, baby, yeah (Ooh, yeah, yeah, yeah)/Come on, come on, come on, baby, yeah (Ooh, yeah, yeah, yeah)/Let’s talk about me and you (Ooh, yeah, yeah, yeah)/Talk about you and me (Ooh, yeah, yeah, yeah)." Simply put, like the complications of desire itself, yearning has never been this burning on this outstanding outro. Taylor Swift talked about the new romantics, but even she can't quite make a hit like the man who practically gives them for free. Until there's nothing left in a classic cohesive album. "The fire don't burn like it used to, girl," he says on said song. But for the red planet names singer's style, it's an eternal flame. TIM DAVID HARVEY.

Playlist Picks: 'I Just Might', 'Risk It All', 'On My Soul'

Spin This: Silk Sonic - 'An Evening With Silk Sonic'

REVIEW: U2 - DAYS OF ASH EP

4/5

Ash Wednesday

It may not always be a beautiful day, but U2 are back in play. In these times of war and disorder, we need a voice, like the people that are fighting the power that corrupts, and Bono are the boys are offering a helping hand with theirs clasped together in coming together, comeback solidarity. Yeah, yeah, you may cry "f###, U2" (who? me and who?), like Tyler, The Creator, because your iTunes automatically gave you an album ('Songs Of Innocence') that literally felt forced, but I didn't even have a laptop with an internet connection back then. I wanted that. Is this really guilty of being controversy on the same New Music Friday where we get albums from artists no stranger to that? Although I stand firmly behind the man who told Bono to "stop f###ing clapping your hands" when he talked about people dying of AIDS every time he put his hands together.

Self-righteous? Indignation? In this age of virtue signalling online, it's hard to tell what's real and who genuinely wants to help, but you can't deny all that Bono and U2 have done. Even if at times they've hit 'Elevation' insufferable levels like Coldplay. Yet you can't deny either acts amazing anthems. There's always going to be cynical comments, but at least this band on the run against hate is fighting the good fight like friend and E Street neighbour Bruce Springsteen's ICE out anthem 'Streets Of Minneapolis' to go alongside his Philadelphia avenue, that along with the Tom Hanks and Denzel Washington movie it won Academy Awards with, looked to raise awareness for HIV and AIDS without a round of applause. Here, U2 enlist more famous friends for their urgent 'Days of Ash' EP. Their first album of original material since 2017's 'Songs Of Experience' (2023's 'Songs Of Surrender' in their chronology and 'Songs Of' trilogy was a reworked album for the Irish act who always did this on their greatest hits) had to come now. Released on Ash Wednesday, a day after Willow's surprise drop of 'Petal Rock Black', before the New Music Friday of Mumford & Songs and all the other prize-fighters.

Ed Sheeran, until he's seventy, plays on 'Yours Eternally', but it's Ukrainian singer Taras Topolia who has a much more indelible impact on this track. One written as a letter from a soldier, in closing of this six-track extended play, reading, "Dearest friends or whatever/We are callin' ourselves these days/My current location/I cannot disclose/Geographically/It's nowhere that I've been before/But emotionally/We're on the same road", hiding in the plain-sight of fear. The same can be said for the spoken-word track of 'Wildpeace', a poem by Yehuda Amichai, read by Nigerian artist Adeola, telling us, "I know that I know how to kill/That makes me an adult/And my son plays with a toy gun that knows/How to open and close its eyes and say Mama." A stark reality for a band who once opened a live show with a video of a child tentatively taking a handgun out of high-street shopping bag. Produced by Jacknife Lee, and recorded as an "immediate response" to current events, in the Curlews and Universal studios, Bono is ready to write an 'American Obituary' with an incendiary video.

All for the likes of Renee Good, who lost their lives to bad men and the coldest ICE. "I love you more/than hate loves war", Bono sings in this anthem call to arms that embrace instead of disgrace. Holding up a mirror to the current state of America that shows, "930 Minneapolis/To desecrate domestic bliss/Three bullets blast, three babies kissed/Renee, the domestic terrorist???/What you can't kill, can't die/America will rise/Against the people of the lie." The political urgency, and hope amongst the hurt, continuing on the Richard Rohr book based 'The Tears of Things'. Or the 'Song Of The Future' that sings for the Iranian Women, Life, Freedom movement led by Sarina Esmailzadeh. Hoping to change things, 'One Life At A Time', with a dedication to Awdah Hathaleen, a Palestinian activist killed in the West Bank. Released to coincide with a special edition of U2 fanzine 'Propaganda', the struggle and resilience is clear to see. This band just being a microphone for the people with the megaphones. We know where the real courage for freedom lies. Hate has no home here in heart. Lend your hand in art. Don't play your part in scars. Ashes to ashes. TIM DAVID HARVEY.

Playlist Picks: 'American Obituary', 'The Tears Of Things', 'Yours Eternally (Feat. Ed Sheeran & Taras Topolia)'.

Spin This: U2 - 'War'

REVIEW: WILLOW - PETAL ROCK BLACK

4/5

Flowers For Willow

Hands across America, holding in beautiful black and white for the amazing album artwork, reach out to you with love, peace and understanding during these troubling and turbulent times. Look (shout out to my poet, Stock), I know I always call every New Music Friday release the album of the year, although it's only February (and with the latest drops from Labrinth, J. Cole and Jill Scott, can you blame me?), but I may not be over exaggerating here. Besides, at 25, WILLOW Smith is on a tear, and perhaps the best turn of her career. Seemingly releasing an album, of redefining difference, every year in her young Prince genre blend (and check out the 'i would die 4 u' terrific tribute here). Her latest, released on a New Music TUESDAY (?), 'petal rock black', changing the game again with a subtle, beautiful bloom.

More music heads need to whip their way to this willow wisdom at the same time her famous father follows 'Welcome To Earth' with another National Geographic great documentary series, 'Pole To Pole', Will Smith fancying himself as the next Michael Palin. We can't wait for a familiar collaboration, Will, his 'After Earth' and 'The Pursuit Of Happyness' co-star Jaden, or Jada, and her heavy metal outfit. But right now, nobody is making music in the Smith family like Willow, and the parents just DO understand. Compelling collaborations come here with the legends of the game. A Funkadelic George Clinton on the spoken word, album-title introduction, the eclectic Cali outfit Tune-Yards (on the powerhouse 'omnipotent') and new age jazz maestro Kamasi Washington letting it 'Play' like you should press. Because this seventh seal from Smith, following her jazz-infused 'Empathogen' is another epic that might best the rest.

Instantly iconic from the moment the butterfly effect of the artwork hits, looking like a young Willow "is a player" herself. This Three Six Zero and Gamma ray of a record coming two years after her last cut went classic. All for an incredible decade of her twenties as she's roared through ours with albums like the isolation helping 'Lately I Feel Everything' and 'Coping Mechanism' influence. Not to mention 'The Anxiety' she shared with Tyler Cole. This is pop at its most progressive from the 'Ardipithecus' artist, who, ever since 'The 1st' album and her self-titled one, has always been about more than their hair she shaved off in a statement in solidarity with herself, and uniquely her own. Throwing guitars into your MTV or BET. This avant-garde electro-funk is art heard to the 'ear of the cocoon' and her mother's love. A definitive dozen tracks, less than a half-hour, but all power. What more could you expect when this album was produced by Grammy winning, 'Soul' and music man Jon Batiste?

The surprise digital drop of the shortest, but best month of love, WILLOW dubs this "personal offering" as one that "honors the labor of creation" in her "artistic dedication". Recorded in isolation over a calendar and change and garnering critical comparisons to Erykah Badu and Tori Amos (now that's elite, deserved company), after highlights, like 'Vegetation' and 'nothing and everything', you need to hear this out like, "Gate gate pāragate pārasamgate bodhi svāhā" in repeated refrain. Most tracks are quick, like the incredible 'living in the heart' interlude. And there's a beautiful 'holy mystery' with the religion of, "Lay me down on your altar (Uh, ayy, ayy, uh, ooh)/Lay me down on this altar of love (Uh, ayy, ayy, uh, ooh)/I am an offering (Uh, ayy, ayy, uh, ooh)/I am honoring thee (Uh, ayy, ayy, uh, ooh)." Like water, this album is 'not a fantasy' or conditioned love Willow will not vow or bow to. 'Sitting Silently' on her soundboard she says it best, "Sitting silently, sitting alone in my room/Focus on my breathing, try to hear love speaking, keep on." This music and artist reaches for more. TIM DAVID HARVEY.

Playlist Picks: 'Vegetation', 'Play (Feat. Kamasi Washington)', 'i would die 4 u'.

Spin This: WILLOW - 'Empathogen'.

REVIEW: MUMFORD & SONS - PRIZEFIGHTER

4/5

Mumford's The Word

Click...click...spark! It's just almost marching to the time last year when 'Rushmere' was here, yet best of British folk rockers Mumford & Sons already have another album out this New Music Friday. And this killer is a 'Prizefighter', with a lighter of album artwork, after the group have been through it all, solo albums and controversial bandmate departures, and then some. Beautifully they 'Begin Again' with some of their best work since they wanted us to 'Believe' in their Dylan like electric turn. Fellow the U.K's own Labrinth, J. Cole's last album, Jill Scott's grand return. The last month of this brand-new year is already giving us some of the biggest releases of the calendar. And this one doesn't pull any punches.

Coming out of the corner with the album titled single, a 'Rubber Band Man', like T.I., and 'The Banjo Song'. It just feels like old times for the amazing act again. The beautiful 'Banjo' video featuring a Streets Of Soul casting of people from club nights in Bristol. Soul telling us, "these are the dancers that always brighten up our dancefloors, the ones that love to dance. We brought them together with their different styles, energy and flair. We saw how quickly they all became one... Their differences became their joy and connection." Now, that's the gold like the ZIPPO on this CD's cover. Snapping back to the 'Rubber Band', not only is this song penned by a top artist, hitmaker Brandi Carlile, it also features the great Hozier, no stranger to unearthing folk album after folk album himself. It's the perfect collaboration made in iron and wine heaven as Marcus Mumford sings, "You're a world away/But you're still the same/I know by your heart/I will call you by your name/And it's a long way/From the crack to the break/You know that I remember everything."

The compelling collaborations don't end 'Here' for a band who are travelling all over the Delta, see the opening track with country strong star Chris Stapleton. The American dream for one of Obama's favourite bands continues on the Gigi Perez assisted 'Icarus' ("It took me all I had/To turn away from this one/Thought I'd take my chances/I was blinded, I was young/But then all at once/I was back to where I'd begun/I was burned by the morning/I got too close to the sun") that flies close to the Floridian sun. Whilst Taylor Swift co hitmaker Gracie Abrams heads into the Bruce Springsteen like 'Badlands' with this band, singing "Set myself up to become a man/Who wasn't there for the backhand/Getaway car in the quicksand/I think you may never understand." Yet despite the American apparel, this still feels fondly familiar to Mumford and all those sons. And despite the big budget guest features, it's still one of the band's most personal projects to date. The gangsters and angels of 'Conversation With My Son', for all the Cat Stevens father and sons, could even find itself on the new 'Immortal Man' of a 'Peaky Blinders' movie in-between Cillian Murphy and Barry Keoghan's Shelby's.

Oh, and if that wasn't enough, Bon Iver's Justin Vernon wrote both 'Badlands' and the 'Prizefighter' title-track. Whereas Billie Eilish's very own brother and new age Bernie Taupin, Finneas had the song 'Run Together' in his back pocket. Stalking like an 'Alleycat', this is still a Marcus Mumford, Ben Lovett, Ted Dwane, and Aaron Dessner written affair, however, at their New York Long Pond studio home. This Gentleman of the Road, Island record plays for tracks that are keeps. The only trick missed, like last March's release, is that this band feels like a fall favourite, driving that notion home, like Christmas (rest peacefully, Mr. Rea). On the sweet 'Stay', like this band seem determined to do, Marcus carries on serenading us, like he does Carey Mulligan. Bleeding hearts of crimson all the way to the 'Clover' closer. But before he tells you everything, it's the 'Shadow Of A Man' that really resonates, his hand shaking as he writes these lines, "Old town behind us/I used to fly/Pour yourself a drink/That's when I slide/Always looking for another way out/Never just at ease/When everybody settles down to revel/That's when I have to leave." This fighter will floor you. TIM DAVID HARVEY.

Playlist Picks: 'Rubber Band Man (Feat. Hozier)', 'Conversation With My Son (Gangsters & Angels)', 'Begin Again'.

Spin This: Mumford & Sons - 'Rushmere'

REVIEW: JILL SCOTT - TO WHOM THIS MAY CONCERN

4/5

Great Scott

For whom the bell tolls, the freedom of Philadelphia soul is back. Stand up! It's been just over a decade since this 'Woman' gave us a record. Pardon me, it's been eleven years since the one and only Jill Scott graced our speakers and headphones with her most personal and intimate music. Yet the words and sounds of the real thing are an integral part of music like another Gil Scott. Whether showing us 'It's Love' on a Michael Jordan DVD, or performing incredible versions of her greatest hits at Dave Chappelle's Block Party, live from Brooklyn, New York, like a Donny Hathaway or Sam Cooke. Have you seen her perform? This is Jill Scott, everybody. Oh, Jill Scott, everybody. Still living her life like its 'Golden', Jilly from Philly even told us this was 'The Way' way before 'The Mandalorian' did. 'The No. 1 Ladies' Detective Agency' star and model still sounds as fresh as she did when she unleashed 'Bedda At Home', or the morning breeze intro to 'The Light Of The Sun'. And now we're 'Blessed' to be a witness again.

The DC Lady Eve ('Black Lightning') and 'Get On Up' James Brown biopic star (alongside the late, great Chadwick Boseman) gives us 'To Whom This May Concern' (YOU!). Completing a big-three of music releases to already begin 2026 after part one of Labrinth's 'Cosmic Opera' and J. Cole's final album 'The Fall-Off'. And this one trumpets them all with a grand return over amazing African album artwork and sketches that will have you repeating the affirmations told, like, "we can save ourselves", "your rules are nothing", "I am my own body", "you can not touch me" and "I'm free". Strengthened by the singles 'Beautiful People' and 'Pressha', 'To Whom' gets by with a little help from her friends. Whether it's Maha Adachi Earth on the 'Dope S###' intro, Trombone Shorty on the bold 'Be Great', the Tierra Whack assisted 'Norf Side', a darling Ab-Soul on an 'Ode To Nikki', JID co-signing 'To B Honest', or 'BPOTY' featuring the legendary Too $hort.

The poet's prose lights up nineteen tracks produced by frequent flyers and absolute legends like Andre Harris and DJ Premier coming off his own 'Light-Years' epic with Nas to close the calendar of last year's mass appeal. But this neo soul legend still has it too, one day before Valentine's Day. This Friday the 13th really was lucky for us, Freddy! It's love again. On this Blues Babe record you know longer have to ask what happened to that girl, after a decade going dark, when you hear the Baby and Clipse sampling 'Me 4'. Brrrr! This is a legend that's so iconic that the great Alicia Keys even had a song called 'Jill Scott' (on the criminally underrated 2021 (it was COVID time) 'Keys' album), featuring Jill Scott herself. But now, there's so much heat on this record, it's hard to pick a big-three for our playlist picks below. 'The Math' you need to calculate. 'Pay U On Tuesday' that throws it back like 'Sinners' for the traditional music fellow white people shouldn't try to assimilate and suck dry like vampires. The 'Offdaback' tribute to all those that came before. The 'Disclaimer' that needs to be said. The anthemic 'Liftin' Me Up'. All the way to the 'Sincerely Do' outro to this love letter to who else, but music?

She 'Don't Play', like Wesley Snipes' Blade talking about Cassandra Nova. And you ain't a jackhammer, and she, no city street.  Focussing on patience during her hiatus, it's so nice to be back in 'A Universe' where Jill Scott records are released. Singing, "I can love, and I can check me/I can choose character over every f###### thing/I can forgive, I can forget if I want to/I can better begin all over again/I was singularly minding my business/I felt like my love life was finished/I was satisfied, believe me/I got my music, my family/Genuine friends who love me/Check up on me, pray for me/I wasn't even feeling lonely/Then you pulled up on me," in that unmistakable powerhouse of a voice. That sound is uniquely hers, too, like on 'Àṣẹ', where she chases lines with positive feeling of love like, "I see you, you got love on the brain/It's all in your hands, all in your veins/In every part of you, in every molecule/I see you, wiggling your toes in the rain/Joyful freedom, it belongs to you." Don't sleep on one of the greatest in the game. It's "bedda" that we have her back home. 'Right Here, Right Now' under The Orchard like, "Ain't no shame in my game, I'm here to stay/I have the answer to your questioning/Mm, does love still exist? Oh, yeah/I am love, I can take it/I might get weary, but I won't break it." This may just be the best of the rest. This concerns all of us. TIM DAVID HARVEY.

Playlist Picks: 'Be Great (Feat. Trombone Shorty)', 'Pay U On Tuseday', 'The Math'.

Spin This: Jill Scott - 'The Light Of The Sun'.

TV REVIEW: THE BEATLES ANTHOLOGY

4/5

The Anthology Album

9 Episodes. Starring: John Lennon, Paul McCartney, George Harrison & Ringo Starr. Create By: The Beatles. On: Disney +.

Get back to Disney Plus, if you want to spend more time with The Beatles. Mickey Mouse has given the Fab Four from Liverpool a lot of real estate in Disneyland over the last few years. Almost like the Marvel of superheroes, Star Wars and, cue the clouds, 'The Simpsons'. Now, if you thought Taylor had her era here, and from 'The Final Show' of 'The Eras Tour', to 'The End Of An Era' six-episode docuseries coming at the same time, the biggest musician since John, Paul, George and Ringo really does, wait until you see these lads. 'The Lord Of The Rings' director Peter Jackson's almost nine-hour 'Get Back' documentary, taking a look at the making of their landmark last album 'Let It Be', and their final show on the rooftops of downtown London started it all, saving us in our social isolation, coming out of COVID. But over the last few years, Disney Plus have also given us the remastered 'Let It Be' documentary, thanks again to Jackson, and the year that was, the 'Beatles '64' epic. 

Count on more 'Help!' to come from The Beatles original movies before we get the fabulous four ones from Sam Mendes starring Harris Dickinson, Paul Mescal, Joseph Quinn and Barry Keoghan. Not to mention Saorise Ronan and 'Shogun's' Anna Sawai as Linda McCartney and Yoko Ono, respectively. A Starz Original on the streaming service even gives you McCartney's '3, 2, 1', with a little help from his legendary producer friend, Rick Rubin (The Beastie Boys, Red Hot Chili Peppers, Johnny Cash's 'American Recordings'), but this is The Beatles 'Anthology' that you've been waiting for, created by the band itself. Nine episodes in the biographical docuseries like no other, not even Tay, Tay, gives us a backstage pass to the life and times and highs and lows of the greatest group of all-time. From studio creation to commercial success. Bowl cut to bohemian look. This Apple Corps series tells the tale of Beatlemania, from the scream of teens, to behind-the-scenes. All restored with love by Peter Jackson's Park Road Post.

The long and winding road of this eight-year band (that was it?!), that will last forever takes you through plenty of twists and turns through their eight day week. But all you need is to come together over the love. From coming to America, The Ed Sullivan Show and Shea Stadium, to causing uproar in Japan when they became the first band to play Tokyo's 1964 Olympic martial arts venue, the Nippon Budokan. Now a regular concert fixture in the city, this writer seeing Norah Jones and The Smashing Pumpkins there in just one-week, last September. But from The Cavern, to the Budokan, these Liverpool lads faced trouble in The Philippines when they didn't make a royal appointment for lunch. Frenzied fans full of tears are bound to break some hearts, and some thought that would be it for the Fab Four, but then 1967 came. And an outstanding output like nothing before, or since. After reloading the 'Revolver', they visited 'Sgt. Pepper's' on a 'Magical Mystery Tour', all whilst giving us 'The White Album' and taking a real trip on a 'Yellow Submarine', before they crossed 'Abbey Road' to 'Let It Be'. And now, a new ninth episode reunites Paul, Ringo and the late George as they try to make new music with old Lennon recordings. One that you can hear, added to the anthology, now and then. Always to return. TIM DAVID HARVEY.

Further Filming: 'The Beatles - Get Back', 'The Beatles - Let It Be', 'Beatles '64'