'THE GOLD ALBUM' by WEEZER sets the standard

Goldmembers

By TIM DAVID HARVEY 

Mike Myers may looooove gooold. But he's got nothing on this. Rivers Cuomo appearing on Jimmy Fallon's late-night show with his legendary Weezer outfit. Not to mention, a touch of Goldfinger. Appearing like the Willy Wonka of gold members. All the way down to those geeky glasses that just look like the late, great Buddy Holly. Friends, Weezer are back, and they'll play Tokyo, Kyoto and Osaka around St. Valentine's Day next year, too. Lovers, this is for you. In their spectrum, this platinum rock act has given us all the colours for their series of self-titled albums. Blue, green, red. Most recently, teal and black. It was only a matter of time that the band went gold. And how fitting to mark their 20th album, following the last full-length hard rock 'Van Weezer' and their four extended play 'SZSN's over 2022?

Their first album in four years doesn't betray their outrageous output. Eleven albums in the last decade since 'The White Album' for these nerdy Beatles with a Beach Boy twist. These California kings of alternative American rock give us 'The LA Sound' with their latest classic. A seventh-seal of self-titled bliss. Their first colour album since 2019. Even Ed Sheeran doesn't make mathematics quite like this. A cool, compelling and classic concept. We can't wait until Mister Rivers' Neighbourhood goes purple like Prince. The sweet single 'Shine' really glows like the latest 'C.E.O'. as Cuomo and Weezer have been inspired by working on a feature film together. All for the first "Weezer" Weezer album since 2021's 'OK Human' coming out of COVID. Rivers Cuomo, Patrick Wilson, Brian Bell and Scott Shriner are back working together again. And this time they bring Wednesday (the North Carolina band, not Jenna Ortega) along to this New Music Friday for the instant classic collaboration of 'We Might As Well Be Strangers'.

That should be enough to lift these legends next to fellow one Brandon Flowers, sans Killers, as these thrashers welcome a wonderful weekend with Leon Bridges giving us the second act of his forthcoming album 'Happiness Anytime', set for the fall. Box-sets and Broadway residencies may have been cancelled, but this is what we really want to see. Weezer doing what they do best. Even if, Rivers runs deep, saying it best, "Cranking out another nineties jam/Wish I could do something new/But nobody wants to hear that/They just want the classics/You can't blame 'em, really/There's something special about your early s###." 'The Show Must Go On' like that showstopper. And you'll 'Say Yes' the minute you let this Tower Records CD play. Because let's take it back to the good old days when albums were all about breaking out the booklet as you lifted the lid and heard that sound of pressing the disc into the tray. The red and yellow album.

'Don't Make It Weird', Goldie says as he sings "I was walking down Montana/When I bumped into a lady that I know/I tried to make small talk/And then it got weird, yo." 'Hoops' is balling for your ears as it rings out. Whilst 'Nowhere' goes everywhere like the storm drains. Flowing with lyrics like, "I just wanna sit with you/If the grass is green and the sky is blue/It's enough for me/I just wanna sit with you/If the grass is green and the sky is blue/It's enough for me/Is it enough for you?" Because that, ladies and gentlemen, is love and life itself. The kind of California dreamin' for all you mamas and papas that has you 'Up In The Clouds' like, "dissolving into the night." Because even after all, "every Adam will pass away/No matter how hard you pray." Maybe it's about "getting lost in thе stratosphere/While еverybody is fake sincere." As Cali' as the Chili's, Weezer are about to go Hollywood with Keanu Reeves, Joseph Gordon-Levitt and Johnny Knoxville for our generation. They've already been living in Beverly Hills, but in these LA times, there's no place like home. And for Weezer, that's back together. That's the gold. What a rush! As good as.

Playlist Picks: 'Shine Again', 'We Might As Well Be Strangers (Featuring Wednesday)', 'The LA Sound'.

Spin This: Weezer - 'Weezer (The White Album)'

'THRASHER' BRANDON FLOWERS continues to bloom with killer solo career

Welcome To Fabulous...Nashville

By TIM DAVID HARVEY 

Sin City to Music City, U.S.A. In-between scoring 'Direct Hits' with The Killers ('Read My Mind', 'Human', literally the first half of their 'Hot Fuss' debut album), Brandon Flowers has given us some successful solo sojourns. Back in 2010, 'Flamingo', named after the road in Brandon's Las Vegas hometown that also houses the infamous Sam's Town Casino (you know the name), was a compelling, credible classic. A darker, killer turn featuring the singles 'Crossfire', 'Only The Young', 'Jilted Lovers & Broken Hearts'. Not to mention serious standouts, including 'Hard Enough' (featuring Jenny Lewis), 'Playing With Fire' and 'On The Floor'.

A half-decade later, the style was switched up for this new romantic with 'The Desired Effect' of rolled-up suit-sleeves, like a Miami Vice beat cop waving Morrisey flowers. 'Lonely Town', 'I Can Change', 'Still Want You' and 'Can't Deny My Love' hit the jukebox. Whereas 'Between Me & You', 'Never Get You Right' and 'Diggin' Up The Heart' had yours. Now, over a decade later, with 'Tiger Blood' in his veins, shadowboxing in black and white for some album artwork that looks halfway between the desert and Music Row, Brandon is back by himself as a 'Thrasher'. But don't let that name or photo box you silly, this is no hard as nails album. Instead, the soft rock king, this side of Springsteen, returns to the country roots of American music. 

The opening track of his debut album was a sign. 'Welcome To Fabulous Las Vegas'. And there are mirages of that here in a lost 'Paradise'. Otherwise he has 'Plans' on hitting the road, like the awe-inspiring lyric video of a real, great America. On this top ten closer, 'An American Dream', Flowers takes you further into the groundwork of those Americana aspirations, but it's on 'Miss Americana', that is not about Taylor Swift, even if this is Nashville, where things take a darker turn. "You know the messed up thing/If the truth be told/Grown men have noticed me/Since I was 12 years old/It always made me feel/Like some kind of prize/I guess I saw my worth/Through their porno eyes/If Jesus really suffered/And paid for all this sin/Then why do we still feel it/Again and again?" The 'Battle Born' prize-fighter scrapping for those who didn't have a voice...until they heard it in song, like scripture.

From the influence introduced on 'Does It Ever Cross Your Mind?', Brandon has a holy one to bear as his arms reach out for something more. Richer and deeper in his own solo career which he could have started all by himself. We love The Killer inside him. It's actually been another half-decade since the 'Pressure Machine' came in hot off the heels of 'Imploding The Mirage'. And we can't believe it's just been shy of a decade since 'Wonderful Wonderful'. Yet The Killers have had so many members come and go, it's almost like a solo story now. Nevada's own goes it alone on 'One Of Us', but has a whole legion of fans across the strip following him to a different Broadway from the one you know in the Big Apple.

Flowers already gave us the tale of 'Tyson vs. Douglas' and he continues that sport synergy on 'Angel' about a big hitter on the diamond. "Angel took the cross hanging 'round his neck/Pressed it against his lips/He’s batting over .500 this year/And there’s talk of scouts making trips/There's a girl who just moved in down the street/From deeper in the southwest/His uncles all warned him about messing with white girls/But he always liked them the best." The storytelling is as sublime as the Bruce who he knows best, as in these Badlands, Brandon finds 'The Red Ground' and a love that's ashes to ashes with the way it's starting to treat you good. Singing "When you done built a wall/Clear around your heart/The echoes of the past ring out/And ricochet/But you’re shooting like a star/So far from your home/Should’vе cut yourself loose/A long time ago" to the dust.

On the same New Music Friday where Weezer finally give us 'The Gold Album' for their standards, and Leon Bridges offers up part two of his forthcoming 'Happiness Anytime' album pursuit next month, this wrangler is one you'll put your bootcut jeans on for 'In A Heartbeat'. Those unmistakable vocals choking back the tears we hear with lines like "Me and Katie, we go all the way back to 1993/She was stubborn as a bull, she was beautiful to me/When you’re that age all you want is for to be women and men/But opened eyes get a front row glimpse into the end/She showed me the untouchable world/In the still of my backseat." Flowers' pop has always known how to sing about sin, but now this Mormon is in another part of the country, the terrain remains the same. Life, liberty and the pursuit of happiness we can only find in love. Whether that's for your brother or for yourself. Brandon has always known how to kill it. But he's never been this alive.

Playlist Picks: 'Paradise', 'Miss Americana', 'An American Dream'.

Spin This: Brandon Flowers - 'Flamingo'.

PHOEBE BRIDGERS finds new ground in a 'LOST WEEKEND'

The Weekend

By TIM DAVID HARVEY 

May Pang had a professional and personal relationship with John Lennon, between 1973 and 1975, during the working-class hero's brief break from artist Yoko Ono. The fellow Plastic Ono Band leader dubbed this departure their "lost weekend".

This also serves as the same name of  'Stranger In The Alps', indie folk rocker Phoebe Bridgers' third album. And her first in six years (just three if you count 'The Record', and 'The Rest', for her Boygenius supergroup with Lucy Dacus and Julien Baker) since she turned into 'The Punisher' like Jon Bernthal. And no, it has nothing to do with the fact that her former fiancée, ('Normal People' and 'Gladiator II' star Paul Mescal) is about to play Paul McCartney in Sam Mendes' Beatles biopics. Sure, there are lyrics to go here about the breakdown of that relationship, referencing the 'Aftersun' and 'All Of Us Strangers' actor's new love in singer/songwriter Gracie Abrams (whose own album came out a few weeks back). Yet these are the artist's own personal and powerful brushstrokes of beauty in the break. Sure, she's putting them out into the world, but they are still her business. Swifties, back down! Besides, Jack Antonoff is on this.

What critics and fans alike should really look at, in this magnificent new record that now Bridgers the gap with a big-three, is the new Americana ground Phoebe finds in this ambient folktronica age that is all hers. From the alps, to screaming 'I Know The End', whilst making out with a senior in her perfect 'Punisher' conclusion. Wearing the bones of her own black, superhero costume, this ghost works the machine on this Dead Oceans album. One that really swims in another year of 'Arirang' BTS domination. All you have to hear is the distorted opening vocal of 'The Outside' to see that Phoebe Bridgers is not playing around. "Crying in a suit and tie/But you should see the other guy/One more time for old time's sake/I’ll watch him get carried away/Fist through the drywall/I'm frozen in place/But not afraid." What more can you say?

Same song for the 'Lost Boys' lead single for all you Peter Pans. No Kiefer vampire, but an Elfin Bridgers role playing in the park, like Shakespeare (cue Robert Downey's "doth mother know"), with new 'Superman' Jimmy Olsen, Skyler Gisondo, all the way to the forest building of a 'Minecraft' like video game. Not to mention the 8-bit beat for the 'Kyoto' singer. "On a motorbike, doing 90 in a 55/To another life/Where they make you cut your hair/Impatient with a rifle and your papers/Weightless but not scared." Knights and roundtables, it's one of her chainmail strongest yet. You'll be singing along like all the other singles that flow as perfectly as riding around your local area in a suit and tie on a scooter.

Driving through alien rays in classic American muscle, Phoebe continues to strum acoustic for all her friends on some of the best cuts you'll hear in years...from any artist. Navigating love and loss, not to mention the perils of fame, this is Phoebe's most personal and profound project yet. Dealing with the death of her father Tony Bridgers. You can hear his voice on a voicemail for the moving 'Never Going Back!" backed by a banjo. But it's on the best of the album, 'Still Standing' were Tony really gets his dedication. "I wasn't too young to understand/I just didn't think it was so bad/And it wasn't, in a way/And now there is nothing/You're back to the ocean, burning red/I can't imagine you dead/But you are every day/Thank you for everything." Pain, purity, and the absolute beauty of family that lives on in the spirit of soul. And the art of this album.

So, focus on that, and hug your own like coach Doc Rivers said in last weekend's Naismith Basketball Hall of Fame enshrinement speech. Whilst everyone else is picking apart the grace of 'The Governor's Waltz' and shining a light on that "hiding in the bathroom like Shelley Duvall" lyric. We all have those moments...not matter who we are. And in the same week where we failed to save more heroes, we should save more face, theirs and our own. Especially in this day and age of lukewarm "takes" and internet takedowns. So, put away those phones, like the in concert protocols that are about to happen on 'The Lost Tour'. I can attest, after seeing her in Tokyo's Zepp a few weeks shy of the Boygenius release in 2023, that it's a show like no other. Taking it to churches in London, like Hozier, the 'Panorama' LA storm drain lyric video (featuring Jake Minch 'Twice' interpolations) and the bright but brittle 'Liberty Tree' will look (yes, look) and sound amazing in this horn 'Haunted' house.

From 'Bobby' dedications ("Now I sleep in your shirts and you live in my house/You sing in the shower, I talk to myself"), to album title-tracks that sample Phil Lansky's idle chatter, this 'Lost Weekend' should be found on your turntables (with a 'Best Dressed' bonus) and playlists. All the way to the raw reprise in curtain concluding closing. 'Kill Me' will floor you. 'Lost Parade' is signature and sublime. Whilst new single 'I Can't Wait' and the made for a movie, moving 'Other Plans' should really put yours on hold, because this can't. 'As Above' and so below in all its atmospheric beauty helps bring this album home. "Trying not to look down/Making faces at a kid on the plane/Trying not to freak out/About bein' a couple days late/Started watchin' a movie/One where they go back in time/And it got to me/I don't know why." You know when you're airborne for so long and, in-between red eyes and that damn dry mouth that just can't help stomach airplane food, those fleeting moments that feel like forever up there help you become free from everything beneath you? Yeah? Well, this album is just like that. And you won't want to come down. So, don't look.

Ladies and gentlemen...the 'Lost Weekend'.

Playlist Picks: 'Lost Boys', 'The Governor's Waltz', 'Still Standing'.

Spin This: Boygenius - 'The Record'.

A stunning and scorching SAKANACTION Saturday at SUMMER SONIC

Sonic The Headliners

By TIM DAVID HARVEY 

What do Tokyo's Summer Sonic music festival and their Disney Sea theme park a few train stops over have in common?

Well, for one, they're not actually in Tokyo. More like the neighbouring prefecture of Chiba. A beautiful place, but I guess it doesn't have the same ring to it as Japan's capital and most famous city in the Land of The Rising Sun.

The other thing Disney Sea and Summer Sonic have in common is that here in 2026, they are both celebrating their 25th anniversaries. Here's to 2001, like a Dr. Dre album.

A certain name-sharing hedgehog, still in his prime, is also celebrating his 35th in Japan.

And what a quarter century it's been for two places that draw everyone, especially in the Summer, to Tokyo Station. Not just for the beautiful building and views of it across the way, but the train change that takes most Tokyoites and people from Yokohama next door (hands up) to Chiba's nose. 

Heading up court like the special Orlando Magic and Los Angeles Lakers like, Summer Sonic, 26 basketball jerseys, showing love to the NBA.

The only thing that rivals the musically diverse Summer Sonic is the Fuji Rock festival that really amps up proceedings. We were there last year to check out Haim and Vampire Weekend, but this year Massive Attack and The xx rocked out in the Naeba ski resort. 

A month after July's hotter than ever Fuji rock, comes the outstanding Obon week headliner, Summer Sonic. You can watch sets by the beach and in a stadium, but if your skin is still peeling from the sunburn onslaught in the mountainous Fuji, then you can take some respite indoors for some convention centre like stages that are only mountain in name. And what's this? Cheap vending machines aplenty? Please...for the love of everything that's hydrated, please bring water with you (although food is not allowed), but when that's done, there as many vending machines as there are acts on the bill. And it's normal, and not high-priced either, like when you, say, ascend Mount Fuji. This is what I've heard, mind you. You think these legs are really scaling a mountain?

Saturday at the Mountain Stage was where it was at for us in a long weekend, headlined by The Strokes, that saw everyone from Jamiroquai to Jennie from BLACKPINK GO! The virtual insanity came from me, not realizing that this was an indoor affair, as I left it until late to make my way. Still, I did take in a big-three worth of acts that amazed. 

Remember Suede? Well, they've still got it, unlike that coat you should have never worn out in the rain, Seinfeld. Bringing their iconic album imagery and that 90s indie rocker oasis of a feeling, gone in a blur of summer haze, back. Cycling through the classics and cuts deeper than the darkness of the sweat soaked shirt. And when they closed with the 'Beautiful Ones', like Prince smashing a picture, man, it was over!

Talking heads remembered the time in warmth nostalgia. Especially when this crowd found themselves in a beautiful arena, with a beautiful (husband or) wife. Thinking "how did (they) get here" as they were being serenaded by a seventy-something, decked out in all orange, like his Broadway band. A man who simply wanted to show his travel photos to the crowd. And that man was none other than the great David Byrne in all his American utopia. Amazing like his latest album ('Who Is The Sky?'), Byrne, baby, Byrne, there is nothing like this David. Part Broadway, part TV show, you have to see this man at least once in your life. Once in a lifetime.

Sandwiched between Suede and David Byrne was top Japanese rock act Sakanaction, fresh off scooping up all the hardware at Japan's Music Awards for their Godzilla giant hit 'Kaiju' (which elicited roars from the crowd here). The bold and brilliant band that beautifully blends genres and homage like the Prince's and LCD Soundsystem's before them were in their element. The dual guitarists banging on single drums like a Haim 'Valentine'. And get this, the rush of the crowd filled out the arena even more than a Talking Head. Truth. I've got the little room for dancing to prove it. Although I still busted out the 'Pulp Fiction' homage 'Inari', latest single, moves. 

Ichiro Yamaguchi, Ami Kusakari, Motoharu Iwadera, Emi Okazaki and Keiichi Ejima rolled through some of their greatest hits and best set-pieces, as lasers and 'Blade Runner' like projections of geishas scanned through the merchandise draped crowd, throwing up the diamond, like Jay-Z. With a new soundscape brought to bear, it got so hot for Sakanaction that there was enough perspiration to get a couple more bottles of Pocari Sweat. Maybe enough to fill an aquarium. 

Speaking of which, upon arrival at the nearby Kaihin-Makuhari station you could see the shadow of singer Ichiro behind a plastic screen, poster promoting the Sakanaquarium that's coming back this fall after selling out the K-Arena, two nights in a row, and other stadiums last year. So much so, surely Fuji Rock is calling next. The banners where everywhere in the station. Even where you touch your IC, Suica, or Pasmo pass at the ticket barrier. Sakanaction are taking over Tokyo like a kaiju. Screaming like a monster. Blooming in more than a whisper.

'THE THREAD' of WILLOW'S wicked wisdom

Weeping Willow

By TIM DAVID HARVEY 

As per, there is plenty of music out this New Music Friday from her peers. The headliner Charli XCX's 'Music, Fashion, Film'. The legend Shania Twain's 'Little Miss Twain'. And The Strokes recording the new 'Reality Awaits' of autotune with super producer Rick Rubin out in Costa Rica. Yet, nothing, Sinead playing Prince, compares to the wicked wisdom of Willow Smith, right now. Word to her mother Jada's heavy metal act.

Pops may have got jiggy wit it, as the most famous member of the family. As successful as they come, from Bel-Air and rap's first Grammy, to multimillion-dollar movies that survived the slap. Not to mention, the "only reason your a## went to Miami." Whilst her older brother, Jaden, may have got their first on his own 'Pursuit of Happyness'. But the tear, or should we say 'The Thread', of what Willow has been on is like nothing, or nobody else, right now. Even outside of her growing artistic family tree. 

The same singer, who shaved her head at the age of ten so she didn't have to keep performing her monster hit 'Whip My Hair' for Jay-Z, on tour with Justin Bieber, so she could be a kid again, has almost released ten albums. And she's only just a quarter of a century young. Imagine what she'll have at 50. Or even just 30. Her latest ('The Thread') is more than an eight wonder. It's her second this year, after February's formidable 'Petal Rock Black' in black and white, with arms and hands held together. Not to mention, her fifth since 2021's 'Lately I Feel Everything'. Most don't have this much in ten years. Let alone half a decade.

Coming out of corona with her 'Coping Mechanism' the following year and 2024's epic 'Empathogen' the extra trick up Smith's sleeve, is that none of them sound the same. It's been like this for 'Willow' ever since the amazing artwork of the 'Ardipthecus' debut on Roc Nation and 'The 1st' second album. And now, this 'Thread' returns to her roots and the veil of some vivid visualizers, following the NPR NMF favourite 'Talk On The Hill' and it's iconic music video.

Blending progressive R&B, jazz and a meditative feeling, 'She's My Religion' is the high note however and where the iconography gets really legendary. Especially in the lyrics, "She's adorned in constellations/Kissing her skin, oh, woah/Each star, a quiet warning/Nature always wins/Her grace is a river raging straight towards the sea, oh/I am not worried 'bout a raft/Her voicе is inside of me and I know." No wonder pops is proud as punch on Instagram.

Creating its own musical language, the purple haze and reign of the album artwork intrigues. As does the title track and the 'Hell To Pay' if you miss out on this heaven sent talent, just because you wrote off the family name of hair whipping fame. This 'Tall Baby' stands higher than all that in 'The Present Moment' of an original sound that pushes the envelope of every genre in an artificial time in need of more, real intelligence and elements in the art form that needs to offically drop the "ficial" responsibility. 'Bone Collecting' like Denzel, the 'Unconditional' love sings, "I wanna be a part of your family/I wanna laugh and drink whiskey with your mother/I want to live in the in-between/Where this love is not about you or me/You or me, oh" in simple, signature odes to match the outstanding grooves.

Refusing to 'Shrink To Fantasy' ("I told you the truth from the start/Not a joke, not a game/Just the shape of this heart"), the most talented member of a terrifically so family is a star in her own right. NPR's New Music Friday album consideration tells us RIYL (recommended if you like) Frank Ocean. But to be frank, as outrageously talented as he is, his output has nothing on us. We recommend him, if you like HER. A 'Crush On Eternity' and the forever push of music that comes with Mei Semones harmonizing "I've kissed desire and called it grace (Mm)/You wrotе your name across my face (Yours always). This is what mainstream music really yearns to be. This thread will go on forever more.

Playlist Picks: 'She's My Religion', 'Shrink To Fantasy', 'Bone Collector'.

THE STROKES use of autotune on 'REALITY AWAITS' is a stroke of genius

Reality Beats

By TIM DAVID HARVEY 

Back in 2009, Jay-Z declared the 'Death of Auto-Tune' on his smash single 'D.O.A.' from his trilogy conclusion album, 'The Blueprint 3' (still not getting why this cover's prime colour was red, but let's digress). An artificial singing style popularized by the legendary likes of T-Pain. Who since that G.O.A.T. crucifixion has put out some lovely Motown albums, showcasing his vocal skill sans the digital lifts. 

He wasn't the only one, back then. Not to mention, this high-note lob pass goes as far back as Blackstreet singing into plastic straws for hits like 'Don't Leave Me' and 'No Diggity' off the 'Another Level' album. And let's not forget, the late, great Roger Troutman of Zapp (and a hilarious Chris Rock skit) hooking 2Pac and DR. Dre's 'California Love' remix, either. And check the original, where, as my college friend once pointed out, "he goes sick." "Computer. COMPUTER!" Absolute genius.

Another stroke of genius, pun intended (twice), comes with Julian Casablancas and The Strokes new album 'Reality Awaits'. Produced by the creative act of God producer, Rick Rubin, and their first album since 2020's 'The New Abnormal' during COVID times. This seventh seal of a nine-track wonder is another great to add to a classic catalogue ('Room On Fire', 'Angels'). Back in 2001, when The Strokes asked 'Is This It', like a leather glove on the hip, The Strokes, like Rock N Roll Hall of Fame White Stripes, alongside them took it back to the good ole, simpler times and recording techniques. Just like the 'Elephant' in the room of London's Maida Vale studios.

This RCA and Cult record, dubbed "even sexier" like the 1980s Nissan 300ZX in the band's Instagram teaser video, focussed forward however. Despite the reality of the 'Awaits' album artwork and its Richard Prince Marlboro man like 'Cowboy'. And it's a master move, like putting 'The White Lotus' favourite actor Walton Goggins in the 'Going Shopping' music video, alongside the sci-fi needle drop of the 'Falling Out Of Love' second string single. 

Lip-syncing (how apt in all this) Casablancas' "Like a tiger, they will chase you down/With words instead of claws/They will seduce you 'til you reach the point/To let yourself get mauled, oh/The worse reality gets, the less you wanna hear about it/Solidarity can be difficult/When you got cool stuff to lose" lyrics, like Saturn's rings laced around a cherry, Goggins shows he really is a rock star Decked out in a 'Miami Vice' city story proud suit. Although, anyone whose seen him 'Dreamin' Wild' with Casey Affleck in the true story of Donnie and Joe Emerson's 1978 debut album finally coming to light, knows this is already all too true.

That same song was distributed on promotional cassette tapes to promote this album recorded in Costa Rica with Rubin. One that features standout tracks like 'Lonely In The Future', 'Liar's Remorse' (what a title) and 'The Fruits Of Conquest'. But from the ode outset of some 'Psych S###' to the storybook end of 'Tyrants Of The Mellow Moon', it's the use of autotune that really amazes and sets the tempo for this new reality that's anything, but abnormal. Just await it, as Julian harmonizes "Forget the things that they did, yeah/Obey the words that they say, yeah/Get it on my desk on time, yeah/Got plans, I'm going online." The 'Dine N'Dash' of this album is anything but a dime a dozen. The rap game may have left the autotune's ring on the bedside table, but here, it rocks. 

Playlist Picks: 'Going Shopping', 'Lonely In The Future', 'The Fruits Of Conquest'.

Time For Some SAKANACTION

Credit: @Sakanaction on X

How Sapporo's finest are reeling in the prize of Japan's best live band...

By TIM DAVID HARVEY

There's nothing like fishing in Spring.

Last month, Japanese rock band Sakanaction (a portmanteau of the Japanese word for "fish" and the "action" they always bring to arenas) played a fan club only member show in Tokyo to mark the awe-inspiring Ariake Arena being renamed to the SGC Hall. Counting down their fan favourite voted for songs (let's hear it for 'SORATO'), before breaking into their biggest hits 'Shintakarajima', 'wasurerarenaino' and 'Kaiju'. They also debuted a d&b Soundscape that could even give the Dolby Atmos, that last year's 'SAKANAQUARIUM' live shows and accompanying DVD were filmed with, a run for its speakers.

Speaking of fan favourites, their classic, like a yukata or kimono in the music video, 'Yoru no Odoriko' just went viral, re-entering the Japanese Top 50 at number one. Now being joined by the charting 'New Treasure Island' and the monster 'Kaiju'. One of Japan's most revered bands are well and truly back. But they really never left. A top ten in Japanese music, five if you just look at rock, Hokkaido's very own have been touring and soaring like a fishing line cast out to water. What's next is to get a bite from overseas. But before all that, Ichiro Yamaguchi (vocals and guitar), Motoharu Iwadera (guitar), Ami Kusakari (bass guitar), Emi Okazaki (keyboards) and Keiichi Ejima (drums) are set to light up the Land of the Rising Sun with summer sunrises in the Far East beauty.

If last year's Shinkansen speeding and touring trip through towns, and last month's fan club in Ariake weren't enough, Sakanaction will play Japan's Summer Sonic festival in Tokyo and Osaka this August. Headlined by the likes of The Strokes, David Byrne, Jennie of BLACKPINK, FKA Twigs, Jamiroquai, fellow Japanese acts BABYMETAL and Bump Of Chicken, and of course, themselves. 

Not only that, bassist Ami Kusakari will be performing at another festival this coming Saturday (May 23rd) in Gamagori, Aichi. The Mori Michi Ichiba festival at Laguna Beach and Laguna Shia, following Kusakari's performance with eclectic and electronic artist Kyoka last November for the MUTEK JP 10 festival at Shibuya's Spotify O-East, will see Ami play her personal passion project, last year's amazing album 'Garden Studies', which still blooms beautifully to this day, like a Ginkgo tree.

Speaking of nature, then there's the SAKANAQUARIUM that had everyone in Japan looking through the glass last year. It returns for the fall. Playing multiple dates in September and October, in Osaka, Kobe and Tokyo's Nippon Budokan. A former martial arts hall of the Tokyo 1964 Olympics, first played to rave and controversial reviews by some local lads called The Beatles, and most recently housing legendary acts like Norah Jones, The Smashing Pumpkins and Foo Fighters. Iconic. Just as Sakanaction are in Japan, with a legacy the rest of the watching world outside of Asia needs to see. Anime soundtracks and such will help with that, but once the tank of their aquarium rocks and rolls over you, you'll be fishing for more.

Incredible set pieces, classic choreography, and laser shows that light up the night like neon crossing Shibuya's streams of tourists. You'll wish you could hold your phones up, but for the love of all that still exists in a live show...please don't. There's nothing like a Sakanaction set. Especially when it comes to the amazing Sakanaquarium. Ichiro's (who started the year with his own solo set) inspired vocals hit the high notes and seats, whilst the great guitar of Iwadera influences more to come. The brilliant bass of Kusakari, and all the elements of the rest of the instruments she plays, are backed by Okazaki's incredible keys (the end of 'Kaiju' is iconic). All as Ejima gets epic on the skins. 

The music, their music, is more than enough, but with a show that stops everything else in their tracks, some of their songs are joined by special Sakanaquarium music videos, starring dynamic dancer and actor Runa Miura and directed definitively by Yusuke Tanaka. Moviemaking moments of magic. Lights, camera, Sakanaction. Surely a new Sakanaction album will come soon, following the amazing 'Adapt' in 2022. But it's not like this band isn't busy, with more concerts than the Tokyo Dome, knocking it out of the park. 

In March they came forward with their latest single 'IRANAI', and it's incredible and playful, neon 80s like music video, featuring avant-garde dancer, model and actress Aoi Yamada with a blonde Bob. Wearing Yamaguchi's Talking Head like suit, akin to a second skin. You'll be wanting to play their hands on eating game with your friends, more than a Nintendo Switch 2, as you dance like John Travolta and Uma Thurman in Quentin Tarantino's Pulp Fiction. The call and response of the "Iranai iranai/Iranai iranai/Na no ni kanjiteru" chorus that Ichiro Yamaguchi improvised with the fans on the spot at last month's SGC show was inspired, and something you'll probably see in concert at forthcoming shows that go to the future. 

One that is Sakanaction's. Selling out the K-Arena, the largest venue dedicated to music, two nights in a row last summer, in Yokohama Bay. Get your cheerleading pom poms ready. They're number one.

Need any more proof that Sakanaction are the best live act in Japan?

Go fish!

DUAL REVIEW: BTS - THE COMEBACK - LIVE/THE RETURN - A DOCUMENTARY

4/5 (The Comeback)

4/5 (The Return)

Back To Seoul

62 Mins (The Comeback) / 93 Mins (The Return). Starring: RM, Jin, J-Hope, Suga, Jimin, Jung Kook & V. Directors: Hamish Hamilton & Cameron Whitelaw (The Comeback) / Bao Nyguen (The Return). On: Netflix.

Switcheroo. Last week, Flea, candid and compelling, offered moving stories about his late, great guitarist bandmate in the Netflix documentary 'The Rise Of The Red Hot Chili Peppers: Our Brother Hillel'. The same time RM, Jin, J-Hope, Suga, Jimin, Jung Kook and V of South Korea's very own leading K-Pop act BTS made their long-awaited after their mandatory military service. All for 'Arirang', their highly-anticipated, brilliant, brand-new album, featuring the streaming single 'Swim' and the 'Body To Body' opening dancefloor number. Giving us 'The Comeback' live on Netflix in the same weekend. Much like how fellow boy band phenomenon Harry Styles gave the streaming service 'One Night In Manchester' to coincide with his solo release, 'Kiss All The Time. Disco, Occasionally'. This New Music Friday, Flea blew the trumpet on his first ever solo album, 'Honora', in honour of the bassist's family. All on the same day we got ready for 'The Return' of BTS again, in their new Netflix documentary film. Don't call it a comeback...that was so last week.

Netflix may have lost out to Paramount when it came to the acquisition of Warner Bros. (thanks a lot, Trump), but look what else they've picked up. Most recently, not only being the only streaming provider to televise this year's World Baseball Classic, they also gave us the MLB opening night between the New York Yankees and San Francisco Giants. But it's the N x BTS deal that may just get an ARMY of new subscribers following. Disney used to be the Kingdom of BTS. From the 'Monuments: Beyond A Star' series detailing their hiatus, alongside the 'Permission To Dance' swan song live in LA, to all the documentaries about the solo work of J-Hope ('J-Hope In The Box') and Suga ('Road To D-Day'). Not to mention the hugely popular 'Are You Sure?!' travel series by Jimin and Jung Kook, which just sky-dived its second season in Switzerland. Yet that was the past and the best to come that was promised. And kept, as we see the future now, live on everybody's favourite streaming service that belongs to their best friend.

Now, what better way to debut their return record than with a homecoming in Seoul, South Korea, like no other...live? How about in the heart of the city, live from Gwanghwamun Square? The iconic temple that feels like a gate to the city featuring brushstrokes of projection mapping, added on to it for the effect at night, similar to what the digitally iconic TeamLab Borderless did to Kanazawa Castle and more, here in Japan. Classic, like the traditional dress of women singing the album title name's folk song as they sway in love, sorrow and endurance. Yet when the silhouettes of the magnificent seven appear on the map of the heart of Seoul, you just know it's on, like one of their biggest hits. Performing powerhouse records like 'Mic Dop', 'Dynamite', and other smooth like 'Butter' numbers, to go along with instant classic choice cuts off the new album. "Swim...swim." All as RM coolly took a seat, like this was a 'Yet To Come' performance, thanks to his going hard in rehearsals leaving him down on one knee, in matrimony with the Boyz II Men ballad seat.

In the engaging 'The Return', a documentary directed by Boa Nguyen ('Live From New York!', 'Be Water', 'The Greatest Night In Pop'), BTS debate whether they are using too long a sample of 'Arirang' in their album lead off track 'Body'. But as they sing, "my beloved/Who leaves me behind and departs/Your feet will tire/Before mine ever do," it's clear to hear that in-yun in 8,000 past lives, these boys would still be together. Most break...not this bulletproof squad. Candour and conviction are matched with a camaraderie that shows even the military couldn't tear apart what was already an army. And when they reunite on a beach, live online for their legions of fans, BTS behind the scenes like when Jimin asked Jung Kook if he was sure, you just know this one is more than just seven strong. Sealed with viral moments and a labour of love and trust of the process in a studio setting in Los Angeles, California. All the way back home across the shore and a live, studio plugged version of 'Swim'. A new lap for a group that has already taken its victory one and is about to run, run, run together again. The return has come all the way back. TIM DAVID HARVEY.

Further Filming: 'BTS - Monuments: Beyond The Star', 'BTS - Permission To Dance: On Stage - LA', 'Are You Sure?!'

REVIEW: FLEA - HONORA

4/5

Flea's Bag

A Flea has 'A Plea'. To "build a bridge" and "shine a light", as the Red Hot Chili Pepper bassist and trumpet player makes something beautiful on the lead single from his debut album 'Honora', produced by Josh Johnson. "I don't care about your f###ing politics", he declares, running, jumping, and generally, just moving like the Flea that he is in an instantly iconic music video, directed by his own daughter, Clara Balzary. "Now we are all human beings here", he adds in a track that asks "who's your neighbor, who's your friend" to the hate that's all around. This is not 'Acid For The Children', like Michael Balzary's moving memoir, more inspiration for them to see the Californian sun, as the Los Angeles times of the Lakers superfan warns, in purple and gold, "you're scaring the kids, the beautiful kids," with "civil war" echoes in the background. More than just a "little scrap of squiggly crayon on a paper", Flea gives us one of the most innovative and influential songs of the first quarter with the indelible mark, "See the god in everyone/Everyone leaves out no one/And everything besides love is cowardice/You wanna be brave, you wanna be tough?/Peace and love is the toughest, hardest thing you can do/Build a bridge, it's where the courage is." 

Live for peace and love, because it really is all we've got. I bet you never thought BTS and the RHCP would have something in common, aside from an army of fans, but here they are, playing Netflix and Spotify (or wherever you stream your sounds) hot potato. Last New Music Friday, the South Korean pop powerhouse released their 'Arirang' album after years of mandatory military service for their members. All whilst filming 'The Comeback' live for Netflix from Seoul's legendary Gwanghwamun Square. On the same day, the most successful streaming service also gave us the documentary 'The Rise Of The Red Hot Chili Peppers: Our Brother Hillel', featuring moving accounts from Flea and Anthony Kiedis, the perfect precursor to this week's album from Flea. Not to mention a new BTS documentary, 'The Return', on, you guessed it, Netflix. Flea's album joining the likes of those boys, BLACKPINK, Harry Styles, Labrinth, J. Cole, Jill Scott, Willow, Mumford & Sons, U2, and Bruno Mars, who brought the Chilis out at the Super Bowl, as one of the best albums, and the most compelling, in an already complex calendar.

It's hard to believe it's been four years since the Red Hot Chili Peppers great comeback, with guitarist John Frusciante in tow. One that gave us two albums, 'Love Unlimited' and the 'Return Of The Dream Canteen', in the same year. And this doubling up, from doc to solo set, is definitive, too. Lucky for us, we've had thirteen albums from the Red Hots. Not to mention that many from Frusciante, and also a set of albums under his alias, Trickfinger. Finally, Flea is getting in on the act with an amazing album that is so iconic we can't wait until he blows like Miles again. All the way down to 'Honora's' (named after a loved family member) amazing album artwork, featuring Flea's mother-in-law Shahin Badiyan in sixties Iran with a bird on her shoulder. Sure, we know Flea as one of the best bassists around. Like Este Haim, or Ami Kusakari of Japan's Sakanaction. Known to defy the conventions of looking bored with the bass, as he moves across the stage, like the lines on a song-sheet. But his horn section is incredible too. So much so, this jazz album is even better than Outkast member Andre. 3000's iconic, Grammy grabbing 'New Blue Sun'. We're sure we'll see a Flea at the Blue Note jazz club, here in Tokyo, soon. Better put on a shirt.

All around the world, we're waiting, in concert, for a man who has laboured long enough for his own passion project. He started recording an album back in the mid-90s. He almost had it in '98, but scrapped his plan in order to make 'Californication'. Yet the scar tissue of his best laid plans remained. In 2012, Flea gave us 'Helen Burns', an epic EP, but this is an actual album. One that features Radiohead's Thom Yorke, like you've never heard him before, at the 'Traffic Lights', and the great Nick Cave (on the Western movie ready, 'Wichita Lineman') one week after he remade his 'Peaky Blinders' Red Right Hand theme for the bad seed of 'The Immortal Man' (yep...on Netflix). But it's the 'Morning Cry' precursor of the ten-minute 'Frailed' that might be the cinematic highlight of the set. Although this jazz album's cover of Frank Ocean's 'Thinkin Bout You', and its live performance with a small orchestra on Late Night Will Jimmy Fallon is really turning talking heads. Yet, reuniting with the great master of funk George Clinton, Flea really speaks on 'Maggot Brain' when he urges us to look at what we're doing to a planet that's rotting at the core.

"Mother Earth is pregnant for the third time/Because, ladies and gentlemen/You have knocked her up." Similar to that Andre Benjamin was saying when he said "mother earth is dying, and we continue to f### her to death" as he vibrated higher on 'The Love Below'. This Nonesuch label album wants to put down more for the record, too. And it shows and tells. Featuring all the players. Even some of his Hot Chili friends that have helped him get by with a little help. Inspired by Michael's love for jazz, the 'Golden Wingship' really spread its own, covering the greats like Ann Ronnell ('Willow Weep For Me'), and even taking us back 'Under The Bridge' to classic call and response Chili's with the closer 'Free As I Want To Be'. Like Yorke sings at the traffic stop, "The whole or just a part of it/Call us when you're sick of it/Other people's prejudice/Can you spot the difference?" There's a message to this music for you radio, heads. There's more playing behind the notes in a man who has never stuck to the hymn sheet, or script. Even when he's amazingly acted in everything from 'The Big Lebowski' to 'Boy Erased'. This isn't the first time the Red Hot wild card has taken a left turn. But it's his most personal and profound yet. Bass to trumpet, in your honour, this is the best Flea market. TIM DAVID HARVEY.

Playlist Picks: 'A Plea', 'Frailed', 'Thinkin Bout You'.

Spin This: Andre. 3000 - 'New Blue Sun' 

DOCUMENTARY REVIEW: THE RISE OF THE RED HOT CHILI PEPPERS - OUR BROTHER HILLEL

4/5

He Was Red Hot

95 Mins. Starring: Anthony Kiedis, Flea & John Frusciante. Director: Ben Feldman. On: Netflix.

Dave Navarro, Josh Klinghoffer, Will Ferrell? California's band, the Red Hot Chili Peppers, have had more legendary former members than there are Lakers jerseys in the Los Angeles' rafters. Such is the nature of line-up changes in rock music, that feels like a sport in itself, the Grammy museum being just across the road from the purple and gold home in Figueroa. No past member, mind you, save the returning John Frusciante, was more of an iconic influence than late, great guitarist Hillel Slovak. The man that the great Frusciante based his own freaky styles on. He's here, on record, to tell you as such. One of the great guitar Gods we lost tragically in 1988, when he was just 26-years-young.

Next New Music Friday, Flea will finally give you his own solo project, 'Honora', that we just have to honour and trumpet. Set to be an instant classic like its iconic album artwork of record dedication love in black and white. The first RHCP release we've been peppered with since 2022's double-delight return of 'Love Unlimited' and the 'Return Of The Dream Canteen'. And this documentary, 'The Rise Of The Red Hot Chili Peppers: Our Brother Hillel', directed definitively by Ben Feldman, is the perfect precursor to this. Even though the band's official Instagram confirmed that this doc was actually unofficial, despite testimonials from Anthony Kiedis, Flea and John Frusciante...this was before the great Chad Smith's time to shine on the skins. Streaming on Netflix, for their own big weekend, after hitting a home run with the World Baseball Classic, following their strike-out on the Warner Bros. deal. Giving us not only their long-awaited 'Peaky Blinders' movie, 'The Immortal Man', but 'The Comeback' of South Korean pop juggernaut BTS for 'Arirang'.

Slovak was a sweet, sensitive soul, who was taken far too soon by the influence of drugs. In those LA times he was a rider of the storm, without a shirt, like the murals of the legendary Jim Morrison that open the doors to Venice Beach...wide. Hillel would journal like a beat poet and even scrawl sublime sketches that will remind you of the art of John Lennon...all in his own style, mind you. He had such an inspired impact on others. Especially Anthony and Michael...just wait until you hear the story of how he became "Flea". And why for this rise of the Red Hots is this film the perfect set-up for Balzary's solo set, next week? Because Hillel was the one who told Flea he should pick up a bass and slap it, like Este or Ami. Seeing Flea get emotional will break your heart in an utterly moving and sad story as Kiedis gets candid and compelling, too. Hillel Slovak appeared on four Chili Peppers albums, appearing on one track of the magnificent 'Mother's Milk', and the crosswalk with their sock of c###s out, 'The Abbey Road E.P.', but his memory and impression is still on the strings, punctuating their percussion to this day. The Red Hot Chili Peppers don't rise without their brother. TIM DAVID HARVEY.

Further Filming: 'Devo', 'Keith Richards-Under The Influence', 'Red Hot Chili Peppers: Woodstock '99'.

REVIEW: BTS - ARIRANG

4/5

Back For Love

ARMY, rejoice and stand up, as the military service stands down and discharges. BTS are back in your area, about to cause mass hysteria. Almost a mere month after fellow K-Pop phenomenon BLACKPINK! returned to meet their 'Deadline' with an EP to make you 'GO!' All on the same weekend they will air 'The Comeback' of their 'Arirang' album live on Netflix. Much like the 'One Night In Manchester' Harry Styles and the streaming service gave us to mark his new perfect pop album, 'Kiss All The Time, Disco, Occasionally', a fortnight back. His One Direction were the Backstreet Boys biggest boy band of all-time. That was until BTS became the most fantastic since the fab four of The Beatles. Take that! And now after all members, RM, Jin, J-Hope, Suga, Jimin, Jung Kook and V, have finally completed their mandatory military service for the South Korean army, here's proof that they're back for good...and love. 'Arirang' in Korean being a traditional folk song passed down through generations of longing, separation and resilience. Found in translation to the devotion of a "beloved one." In-Yun, 8,000 past lives.

Let it ring out, as the bells of 'No. 29' toll. This album title's folk roots also serve as a symbol of peace between the north and south. These Bangtan Sonyeondan, "bulletproof boy scouts" already know how to bring the watching world they dominate together, from speaking at the United Nations to ones across the world knowing their big hits, word-for-word, like they were learning Korean. Add the sensational single 'SWIM', on a stunning ship, to the streams, as this sweet song is even sung in English. And guess what her name is, as 'Riverdale' and 'Hustlers' actress Lili Reinhart co-stars? "Swim, swim/Water falling off your skin/Swim, swim/I could spend a lifetime watching you", sung by 'Are You Sure?' Disney + travelogue cohorts Jimin and Jung Kook ("cham, cham, CHAM!"), probably written whilst they were taking in the scenes of Switzerland. Solo sets from all members, most notably RM, J-Hope and Suga, have tided us over during their four-year hiatus. But now they return to a crowded calendar that's already given us Labrinth, friend of Hope, J. Cole, Jill Scott, Willow, Mumford & Sons, U2, Bruno Mars and many more, like Red Hot Chili Pepper Flea going at it on his bass own for next week's trumpet solo.

Play the horns for this one though, because the moment the outstanding opening of 'Body To Body' goes skin-to-skin with your speakers, you know it's back on. Instant repeat. All for an American pop inspired left turn for these chopped and screwed, hardcore 'Hooligan's' calling themselves crazy with Britney Spears shout out respect, no toxicity. These idols brought us back up from a modern-day system of a down, teaching us to love ourselves. Now they return with a much grimier, gutter set, albeit still suited up in trademark garb to go with their new album logo that has already become ARMY member iconic. Sure, you'll miss the smooth sounds of 'Butter' and the hits that exploded on the charts like 'Dynamite'. Maybe the cute, pure pop days left the day they shaved their scalps for another army. The bubblegum has perhaps burst. But they already told us the best was yet to come. And this could be it! It might not be their biggest and best (a new, nuanced 'NORMAL' on their instant hit-making 'Merry Go Round'), but from version '2.0' dialling it up, to the sick sample of 'they don't know 'bout us'', this could be the most compelling and cohesive set that finally garners them the Grammy they should have been granted by now.

All the way grown up, 'Aririang', long-awaited and highly-anticipated, like nothing else, is something else. Something more. More mature. Whether out of this world 'Aliens' or acting 'Like Animals' with feral feeling, these boys who will always be like themselves have become your valentines again, akin to their rose installations in London, Los Angeles, and of course, Seoul. That's all they needed to promote an album that already surpassed four million pre-orders before it even hit shelves and streams. No song snippets of the saccharine 'One More Night', or sincere 'Please', 'FYA' (sublime). No single until 'SWIM' hit shores at the same time. But it barely mattered. The ARMY knew, and in turn we trust this. To follow 'Into The Sun', like Icarus, singing, "Twenty-four, 24/7 feel like twenty-four (Twenty-four)/태양을 향해 뛰어도 (뛰어도), 가까워지진 않아도 (않아도), oh, no/Don't be afraid, 기억해, 그저 잠시뿐인 걸 어두운/밤을 지나/아침이 오는 걸 맞으며 눈을 떠 into the sun" with sugar and hope. And if you miss the anthems, never fear. They're all here until the 'ARMYRANG' last call of dedication. The big hits are back with Hybe hype. The reunion is done. Here is the 30th Korean national treasure. It's time to enlist this. TIM DAVID HARVEY.

Playlist Picks: 'Body To Body', 'SWIM', 'They Don't Know 'Bout Us'.

Spin This: BTS - 'Proof'

REVIEW: HARRY STYLES - KISS ALL THE TIME. DISCO, OCCASIONALLY

4/5

Kiss

Disco ain't dead, at least not occasionally, on the brand-new album from Harry Styles, 'Kiss All The Time. Disco, Occasionally', released this New Music Friday. One that you actually will listen to all the time for its pure pop, popping candy of compelling hits. Four years after we're still recovering from the party at 'Harry's House', 'As It Was', and that lead single we still can't get off our minds or playlists. Ever since the One Direction lead star and occasional actor ('Dunkirk', 'Don't Worry Darling' and a Marvel project in the works(?)) gave us the 'Sign O The Times' of his self-titled debut, we knew there was a 'Fine Line' between this young prince's solo sets and the biggest boy band, bordering between The Beatles and BTS, dripping in 'Watermelon Sugar'. Rest peacefully to his band brother, Liam Payne.

Now, this young Jagger (get that biopic ready) proves, with moves, that he really is a movie star, who can dance his way through an all action set-piece, too, with the amazing 'Aperture' single. Singing, "I've no more tricks up my sleeve/Game called review the player/Time codes and Tokyo scenes/Bad boys, it's complicated/It's complicated" to a Hollywood music video. All as he and super-producer Kid Harpoon play Elton John and Bernie Taupin again. 'Harry's House' garnered him a Grammy. This 'Kiss' may just add another trophy to the family cabinet. Complete with sure-fire singles ready to go, as he bobs and weaves under the disco ball, holding his glasses in the middle of a cold countryside. Album art to go alongside the big, BTS like Netflix debut, and the forthcoming 'Together, Together' tour that really brings them out, like the blingy suits that would do Bowie proud. This album from the great Brit, performing at The Brits, taking cues from Ziggy, and of course, the purple one, for this young star's reign. The outstanding success of One Direction may have led to all of this, and rightfully so, but this new one will have you calling the Timothée Chalamet cheeky chappy of music by his own name.

"We belong together", like Mariah Carey, Styles said, on some promotional posters and billboards in New York, Manchester, Palermo, São Paulo, and Berlin that teased this new project, back in January. And now, Harry follows Labrinth, J. Cole, Jill Scott, WILLOW, Mumford & Sons, U2, Bruno Mars and BLACKPINK, with another album marching in to help 2026 GO! A dozen delightful tracks of 'Pop' pleasure from the setting off single to the 'Carla's Song' closing dedication. There are anthems, like 'American Girls' (for all those who can't get enough...get your hands up), on this Erskine and Columbia record, but when it comes to sweet smelling songwriting, it's 'Coming Up Roses' that will be your late Valentine, as Styles sings, "Just for tonight, let's go hangover chasing/And I'll talk your ear off about why it's safe/As I fumble my words and fall flat on my face through the truth/Just say the word and we'll take up the test/Where we flirt with the bad ones and skip all the rest/But we see out the night with your head on my chest, me and you." Lyrics to go from a man whose work mirrors the circular artwork designs on its YouTube videos. Get ready to turn your screen around, like photo taking frustration, and sing-a-long.

Learning all the words, from 'Ready, Steady, Go!', to the moving 'Dance No More', 'Are You Listening Yet'? Because for all those who still write him off as boy band material (but look at all OD made), you don't know your basic facts (in an "oh, oh, oh", Paul Rudd SNL superfan voice). And you're missing out on some of the best music you'll hear, straight out of London (and in Italian) crossing Abbey Road, in pop's golden era. This is anything but 'Paint By Numbers' with subtle powerhouse tracks like that. With the Kid, Harry harpoons songwriter Tyler Johnson, and even beautiful backing vocals from Wolf Alice's Ellie Roswell and the House Gospel Choir. This "life mantra" inspired by LCD Soundsystem and Stardust's own 'Berlin Trilogy' really gets the 'Taste Back' ("must be lonely out in Paris") after a 22-month tour supporting Styles' last two albums. 'The Waiting Game' telling you it was worth it with words that are wise ("You can romanticise your shortcomings, ignore your agency to stop/Write a ballad with the details, while skimming off the top/A personality, considering you've been a little overhonest lately/And you apologise, a dirty clown"). On 'Season 2 Weight Loss', that has nothing to do with The White Lotus, Harry harmonizes, "Aren't you for sale if you're cashin' in cold?/You've got to sit yourself down sometimes/It's hard to tell when the thoughts are my own/And the old hat gets harder to hold." But with his in his hands, he holds on to a style that is uniquely his own. It's a grand occasion sealed with a kiss. TIM DAVID HARVEY.

Playlist Picks: 'Aperture', 'American Girls', 'Coming Up Roses'.

Spin This: Harry Styles - 'Harry's House'/

REVIEW: BLACKPINK - DEADLINE EP

4/5

Deadline Day

"BLAAAAACKPIIIINK! BLAAAAACKPIIIINK! BLAAAAACKPIIIINK!" 2026 may be the year of 'Arirang', from South Korea to the rest of the watching world it now dominates in entertainment, more than Hollywood right now, thanks to the return and reformation of BTS and their ARMY, after the men have completed their mandatory military service for their country. But look who just came in and spoilt the party...or should we say joined it for K-Pop at its finest! BLΛƆKPIИK ( 블랙핑크) are back in your area, following their own solo sojourns, as Lisa, Jisoo, Jennie and Rosé reunite for the first time since they were 'Born Pink' in 2022. All on the same New Music Friday that Rosé's 'APT.' anthem partner Bruno Mars returns with his own album, and his first solo set in ten years. Save his Silk Sonic group with the amazing Anderson .Paak. How apt.

This pack are a fantastic four with five famous in an instant tracks to track their progress. Their debut, lifting us out of quarantine in 2020, alongside Lady Gaga's 'Sour Candy' (she also knows Bruno and new music) was called 'The Album'. Call this mini one, The EP, as BLACKPINK have more than just met their 'Deadline' in all black. They've aced the test. Solo wise, just like their BTS brothers tiding us over before they came home, this YG group were nothing to sniff at either. Jennie, headlining Tokyo and Osaka's Summer Sonic festival this Summer with The Strokes and Japan's own Sakanaction and BABYMETAL, and her 'Ruby' red classic. Rosé's 'Rosie' showing she was your 'Number One Girl', Lisa's amazing 'Alter-Ego', and my favourite (just saying) Jisoo's 'Me', not to mention her darling Dior campaign. You can see it on the billboards of history, before they take the chart of the same name for their '뛰어 (JUMP)' single sensation, telling you to bounce in Korean and buy the t-shirt that's sure to be a 'Number One' merch hit from Seoul and a train carrying goods to Busan. Not to mention the rest of the international shipping world. Bruno may have the classic cohesive album, but Blackpink have the best tracks.

The kinetic classic music video is amazing, and something K-Pop legend CL would be proud of as these singers rock and rap. Referencing everyone on this EP from Bruce Springsteen and the Spice Girls (those that paved the way for all wannabes) to Golden State Warriors NBA star and winner Draymond Green (just wait for his next Instagram story with the King in him). Speaking of 'Champion(s)', BLACKPINK are also that, reaffirming this on an instant verse, chorus, hook, line and singer earworm. Burrowing with lines like, "If I ever, ever fall down one time/I'ma keep going on, 'cause I know I'm a champion/And if I take a, take a L, I'll still fight/'Til the bitter end, I'm strong, 'cause I know I'm a champion", and the new PINK chant for your area. All to prolific, powerhouse production from Dr. Luke, attending to the boards. You should really press 'GO' on all these album artworks and singles that now become new BLACKPINK classics, even though this is not an actual album. The confidence and empowerment are now at an epic level. And they can't come down. They won't come down. The comeback is complete.

"When your heart is broken, baby/Darkness on the edge of town (BLACKPINK'll make ya)/Try to keep it open, baby/Try to let your walls come down (BLACKPINK'll make ya)/I know you're frozen, baby/Love can make you turn to stone/You could stop and be alone/Or you could (Ah, ah, ah)." The impossible mission is complete, Tom, as these wonder women row the same boat that Aaliyah rocked for the record. On 'Me and My', they give it up for their boos, like Usher and Alicia Keys, each other. Singing, "Just me and my day ones, pretty girls walkin' (Walkin')/Golden like we Draymond, they pay us for a walk-in (Walk-in)/Step (Step), step (Step), step into some commas/Yeah (Yeah), yeah (Yeah), boys all wanna holla/I'm one-of-one, not two, in my hottie season (Season)/Givin' 'tude to ya, I don't need no reason (Reason)/Daisy dukes make me speak my mind, I'm beamin' (Beamin')/Kinda cute, glistenin', it's in her being (Hahaha)." They can even make a 'Fxxxboy' record sound sweet, taking the power back like, "If my signals mixed and messy/Bet you think it's destiny/Call my ex, send late night texts/'Cause I get off on jealousy/Keep your expectations/Underneath the pavement/Guess karma's a b####/How's it feel? Now I'm the f###boy." Even the National Museum Of Korea is getting in on this 'Path To History'. Forget about the man in the arena. These are the women in your area. Born again. TIM DAVID HARVEY.

Playlist Picks: '뛰어 (JUMP)', 'GO', 'Champion'.

Spin This: BLACKPINK - 'The Album'

REVIEW: BRUNO MARS - THE ROMANTIC

4/5

The New Romantic

Earth to Mars. It's crazy to believe that it's been ten years since his last album, '24K Magic', and the Sin City anthem of the same name (even longer since he was giving us that 'Uptown Funk' earworm with Mark Ronson in a pink suit and fedora), but Bruno is back, ladies and gentlemen! After what seems like a Presley permanent Vegas residency to pay off some bills, and making more duet hits than Tony Bennett, see 'Die With A Smile' with Lady Gaga, Bruno Mars returns to mark the end of February's lovers and make 2026 his calendar. We already told you about the big-three releases to start this year. Labrinth, J. Cole and Jill Scott. And even the big-three last week (Mumford & Sons, U2 and perhaps the best release of the first quarter from WILLOW). But this New Music Friday may just be monumental. Perhaps one of the biggest hits of the last few years was New Zealand and South Korean singer Rosé's 'APT.' with Bruno Mars. I even use it as a teaching tool for kids in my English lessons for "on, under, next to, in." Aha, aha. But now for the same weekend where we get 'The Romantic' Bruno Mars, Rosé is back in your area with her BLACKPINK army to meet the 'Deadline' of a new EP.

Resisting the temptation to include both of his recent and biggest hits ('Die With A Smile' and 'APT.'), he's about to put them on 'The Collaborations' compilation for Record Store Day, next month, Bruno Mars gives us an amazing album, of nine straight-shooting classics for his fantastic fourth. Returning to his roots and extending the love of South American music given to us by Bad Bunny at his super Superbowl Halftime Show that brought everyone together, for better over worse. It's a shame though, because the man who once headlined the biggest event in the NFL in 2014, bringing out the Red Hot Chili Peppers, for Coldplay to then bring out him AND Beyoncé at their own half-time show, missed a trick not appearing alongside Lady Gaga for her Latin flared version of their signature 'Smile' song. And in turn, putting said version on here. But that's alright. The man with the best backing dancers in the biz, proves that he only really needs himself, like Andre 3000 in 'Hey Ya!' green, for his sensational new single 'I Just Might'. Yet it's the second one, and its absolutely beautiful music video, that's the sweetest as soon as you see red, ready to 'Risk It All'.

"I would run through a fire/Just to be by your side/If your heart's on the line/You could take mine", the man who said he'd "catch a grenade for you" says, when most men will just leave you on red. This is Bruno Mars fourth solo set, and first in a decade, as we said. But it's his fifth if you include 'An Evening With Silk Sonic' and his collaboration with Anderson .Paak back in 2021. And most of this music sounds like Silk Sonic styles flowing on beautifully through your speakers until you 'Cha Cha Cha' with the one you love and hold closer than Rosie Gaines. Mars has been attacking this album for the last two years and gives us the sweetest sketches for this album artwork. Boasting for his girl that 'God Was Showing Off' when he makes lines like "Is it your eyes that light my sky?/I bet in the pourin' rain, you still shine/Is heaven your name (Is heaven your name)/Or is it divine? (Or is it divine?)/Don't matter, girl, it's gonna look good next to mine." Now 'Why You Wanna Fight' that, like this delightful, definitive D'Mile produced album.

Soft-soul has never sounded so sensual and sweet, all the way until the man, who moves like no other, tells you to 'Dance With Me', like 112, clapping your hands because you're sexy and you know it. Searching for the seventies like the sonic sounds of silk, Bruno best himself 'On My Soul'. But it's 'Something Serious' that stirs even more. "I’ll be there (Ooh, yeah, yeah, yeah)/Say that you need me, girl (Ooh, yeah, yeah, yeah)/Say that you want me, baby (Ooh, yeah, yeah, yeah)/Come on, come on, come on, baby, yeah (Ooh, yeah, yeah, yeah)/Come on, come on, come on, baby, yeah (Ooh, yeah, yeah, yeah)/Let’s talk about me and you (Ooh, yeah, yeah, yeah)/Talk about you and me (Ooh, yeah, yeah, yeah)." Simply put, like the complications of desire itself, yearning has never been this burning on this outstanding outro. Taylor Swift talked about the new romantics, but even she can't quite make a hit like the man who practically gives them for free. Until there's nothing left in a classic cohesive album. "The fire don't burn like it used to, girl," he says on said song. But for the red planet names singer's style, it's an eternal flame. TIM DAVID HARVEY.

Playlist Picks: 'I Just Might', 'Risk It All', 'On My Soul'

Spin This: Silk Sonic - 'An Evening With Silk Sonic'

REVIEW: U2 - DAYS OF ASH EP

4/5

Ash Wednesday

It may not always be a beautiful day, but U2 are back in play. In these times of war and disorder, we need a voice, like the people that are fighting the power that corrupts, and Bono are the boys are offering a helping hand with theirs clasped together in coming together, comeback solidarity. Yeah, yeah, you may cry "f###, U2" (who? me and who?), like Tyler, The Creator, because your iTunes automatically gave you an album ('Songs Of Innocence') that literally felt forced, but I didn't even have a laptop with an internet connection back then. I wanted that. Is this really guilty of being controversy on the same New Music Friday where we get albums from artists no stranger to that? Although I stand firmly behind the man who told Bono to "stop f###ing clapping your hands" when he talked about people dying of AIDS every time he put his hands together.

Self-righteous? Indignation? In this age of virtue signalling online, it's hard to tell what's real and who genuinely wants to help, but you can't deny all that Bono and U2 have done. Even if at times they've hit 'Elevation' insufferable levels like Coldplay. Yet you can't deny either acts amazing anthems. There's always going to be cynical comments, but at least this band on the run against hate is fighting the good fight like friend and E Street neighbour Bruce Springsteen's ICE out anthem 'Streets Of Minneapolis' to go alongside his Philadelphia avenue, that along with the Tom Hanks and Denzel Washington movie it won Academy Awards with, looked to raise awareness for HIV and AIDS without a round of applause. Here, U2 enlist more famous friends for their urgent 'Days of Ash' EP. Their first album of original material since 2017's 'Songs Of Experience' (2023's 'Songs Of Surrender' in their chronology and 'Songs Of' trilogy was a reworked album for the Irish act who always did this on their greatest hits) had to come now. Released on Ash Wednesday, a day after Willow's surprise drop of 'Petal Rock Black', before the New Music Friday of Mumford & Songs and all the other prize-fighters.

Ed Sheeran, until he's seventy, plays on 'Yours Eternally', but it's Ukrainian singer Taras Topolia who has a much more indelible impact on this track. One written as a letter from a soldier, in closing of this six-track extended play, reading, "Dearest friends or whatever/We are callin' ourselves these days/My current location/I cannot disclose/Geographically/It's nowhere that I've been before/But emotionally/We're on the same road", hiding in the plain-sight of fear. The same can be said for the spoken-word track of 'Wildpeace', a poem by Yehuda Amichai, read by Nigerian artist Adeola, telling us, "I know that I know how to kill/That makes me an adult/And my son plays with a toy gun that knows/How to open and close its eyes and say Mama." A stark reality for a band who once opened a live show with a video of a child tentatively taking a handgun out of high-street shopping bag. Produced by Jacknife Lee, and recorded as an "immediate response" to current events, in the Curlews and Universal studios, Bono is ready to write an 'American Obituary' with an incendiary video.

All for the likes of Renee Good, who lost their lives to bad men and the coldest ICE. "I love you more/than hate loves war", Bono sings in this anthem call to arms that embrace instead of disgrace. Holding up a mirror to the current state of America that shows, "930 Minneapolis/To desecrate domestic bliss/Three bullets blast, three babies kissed/Renee, the domestic terrorist???/What you can't kill, can't die/America will rise/Against the people of the lie." The political urgency, and hope amongst the hurt, continuing on the Richard Rohr book based 'The Tears of Things'. Or the 'Song Of The Future' that sings for the Iranian Women, Life, Freedom movement led by Sarina Esmailzadeh. Hoping to change things, 'One Life At A Time', with a dedication to Awdah Hathaleen, a Palestinian activist killed in the West Bank. Released to coincide with a special edition of U2 fanzine 'Propaganda', the struggle and resilience is clear to see. This band just being a microphone for the people with the megaphones. We know where the real courage for freedom lies. Hate has no home here in heart. Lend your hand in art. Don't play your part in scars. Ashes to ashes. TIM DAVID HARVEY.

Playlist Picks: 'American Obituary', 'The Tears Of Things', 'Yours Eternally (Feat. Ed Sheeran & Taras Topolia)'.

Spin This: U2 - 'War'

REVIEW: WILLOW - PETAL ROCK BLACK

4/5

Flowers For Willow

Hands across America, holding in beautiful black and white for the amazing album artwork, reach out to you with love, peace and understanding during these troubling and turbulent times. Look (shout out to my poet, Stock), I know I always call every New Music Friday release the album of the year, although it's only February (and with the latest drops from Labrinth, J. Cole and Jill Scott, can you blame me?), but I may not be over exaggerating here. Besides, at 25, WILLOW Smith is on a tear, and perhaps the best turn of her career. Seemingly releasing an album, of redefining difference, every year in her young Prince genre blend (and check out the 'i would die 4 u' terrific tribute here). Her latest, released on a New Music TUESDAY (?), 'petal rock black', changing the game again with a subtle, beautiful bloom.

More music heads need to whip their way to this willow wisdom at the same time her famous father follows 'Welcome To Earth' with another National Geographic great documentary series, 'Pole To Pole', Will Smith fancying himself as the next Michael Palin. We can't wait for a familiar collaboration, Will, his 'After Earth' and 'The Pursuit Of Happyness' co-star Jaden, or Jada, and her heavy metal outfit. But right now, nobody is making music in the Smith family like Willow, and the parents just DO understand. Compelling collaborations come here with the legends of the game. A Funkadelic George Clinton on the spoken word, album-title introduction, the eclectic Cali outfit Tune-Yards (on the powerhouse 'omnipotent') and new age jazz maestro Kamasi Washington letting it 'Play' like you should press. Because this seventh seal from Smith, following her jazz-infused 'Empathogen' is another epic that might best the rest.

Instantly iconic from the moment the butterfly effect of the artwork hits, looking like a young Willow "is a player" herself. This Three Six Zero and Gamma ray of a record coming two years after her last cut went classic. All for an incredible decade of her twenties as she's roared through ours with albums like the isolation helping 'Lately I Feel Everything' and 'Coping Mechanism' influence. Not to mention 'The Anxiety' she shared with Tyler Cole. This is pop at its most progressive from the 'Ardipithecus' artist, who, ever since 'The 1st' album and her self-titled one, has always been about more than their hair she shaved off in a statement in solidarity with herself, and uniquely her own. Throwing guitars into your MTV or BET. This avant-garde electro-funk is art heard to the 'ear of the cocoon' and her mother's love. A definitive dozen tracks, less than a half-hour, but all power. What more could you expect when this album was produced by Grammy winning, 'Soul' and music man Jon Batiste?

The surprise digital drop of the shortest, but best month of love, WILLOW dubs this "personal offering" as one that "honors the labor of creation" in her "artistic dedication". Recorded in isolation over a calendar and change and garnering critical comparisons to Erykah Badu and Tori Amos (now that's elite, deserved company), after highlights, like 'Vegetation' and 'nothing and everything', you need to hear this out like, "Gate gate pāragate pārasamgate bodhi svāhā" in repeated refrain. Most tracks are quick, like the incredible 'living in the heart' interlude. And there's a beautiful 'holy mystery' with the religion of, "Lay me down on your altar (Uh, ayy, ayy, uh, ooh)/Lay me down on this altar of love (Uh, ayy, ayy, uh, ooh)/I am an offering (Uh, ayy, ayy, uh, ooh)/I am honoring thee (Uh, ayy, ayy, uh, ooh)." Like water, this album is 'not a fantasy' or conditioned love Willow will not vow or bow to. 'Sitting Silently' on her soundboard she says it best, "Sitting silently, sitting alone in my room/Focus on my breathing, try to hear love speaking, keep on." This music and artist reaches for more. TIM DAVID HARVEY.

Playlist Picks: 'Vegetation', 'Play (Feat. Kamasi Washington)', 'i would die 4 u'.

Spin This: WILLOW - 'Empathogen'.

REVIEW: MUMFORD & SONS - PRIZEFIGHTER

4/5

Mumford's The Word

Click...click...spark! It's just almost marching to the time last year when 'Rushmere' was here, yet best of British folk rockers Mumford & Sons already have another album out this New Music Friday. And this killer is a 'Prizefighter', with a lighter of album artwork, after the group have been through it all, solo albums and controversial bandmate departures, and then some. Beautifully they 'Begin Again' with some of their best work since they wanted us to 'Believe' in their Dylan like electric turn. Fellow the U.K's own Labrinth, J. Cole's last album, Jill Scott's grand return. The last month of this brand-new year is already giving us some of the biggest releases of the calendar. And this one doesn't pull any punches.

Coming out of the corner with the album titled single, a 'Rubber Band Man', like T.I., and 'The Banjo Song'. It just feels like old times for the amazing act again. The beautiful 'Banjo' video featuring a Streets Of Soul casting of people from club nights in Bristol. Soul telling us, "these are the dancers that always brighten up our dancefloors, the ones that love to dance. We brought them together with their different styles, energy and flair. We saw how quickly they all became one... Their differences became their joy and connection." Now, that's the gold like the ZIPPO on this CD's cover. Snapping back to the 'Rubber Band', not only is this song penned by a top artist, hitmaker Brandi Carlile, it also features the great Hozier, no stranger to unearthing folk album after folk album himself. It's the perfect collaboration made in iron and wine heaven as Marcus Mumford sings, "You're a world away/But you're still the same/I know by your heart/I will call you by your name/And it's a long way/From the crack to the break/You know that I remember everything."

The compelling collaborations don't end 'Here' for a band who are travelling all over the Delta, see the opening track with country strong star Chris Stapleton. The American dream for one of Obama's favourite bands continues on the Gigi Perez assisted 'Icarus' ("It took me all I had/To turn away from this one/Thought I'd take my chances/I was blinded, I was young/But then all at once/I was back to where I'd begun/I was burned by the morning/I got too close to the sun") that flies close to the Floridian sun. Whilst Taylor Swift co hitmaker Gracie Abrams heads into the Bruce Springsteen like 'Badlands' with this band, singing "Set myself up to become a man/Who wasn't there for the backhand/Getaway car in the quicksand/I think you may never understand." Yet despite the American apparel, this still feels fondly familiar to Mumford and all those sons. And despite the big budget guest features, it's still one of the band's most personal projects to date. The gangsters and angels of 'Conversation With My Son', for all the Cat Stevens father and sons, could even find itself on the new 'Immortal Man' of a 'Peaky Blinders' movie in-between Cillian Murphy and Barry Keoghan's Shelby's.

Oh, and if that wasn't enough, Bon Iver's Justin Vernon wrote both 'Badlands' and the 'Prizefighter' title-track. Whereas Billie Eilish's very own brother and new age Bernie Taupin, Finneas had the song 'Run Together' in his back pocket. Stalking like an 'Alleycat', this is still a Marcus Mumford, Ben Lovett, Ted Dwane, and Aaron Dessner written affair, however, at their New York Long Pond studio home. This Gentleman of the Road, Island record plays for tracks that are keeps. The only trick missed, like last March's release, is that this band feels like a fall favourite, driving that notion home, like Christmas (rest peacefully, Mr. Rea). On the sweet 'Stay', like this band seem determined to do, Marcus carries on serenading us, like he does Carey Mulligan. Bleeding hearts of crimson all the way to the 'Clover' closer. But before he tells you everything, it's the 'Shadow Of A Man' that really resonates, his hand shaking as he writes these lines, "Old town behind us/I used to fly/Pour yourself a drink/That's when I slide/Always looking for another way out/Never just at ease/When everybody settles down to revel/That's when I have to leave." This fighter will floor you. TIM DAVID HARVEY.

Playlist Picks: 'Rubber Band Man (Feat. Hozier)', 'Conversation With My Son (Gangsters & Angels)', 'Begin Again'.

Spin This: Mumford & Sons - 'Rushmere'

REVIEW: JILL SCOTT - TO WHOM THIS MAY CONCERN

4/5

Great Scott

For whom the bell tolls, the freedom of Philadelphia soul is back. Stand up! It's been just over a decade since this 'Woman' gave us a record. Pardon me, it's been eleven years since the one and only Jill Scott graced our speakers and headphones with her most personal and intimate music. Yet the words and sounds of the real thing are an integral part of music like another Gil Scott. Whether showing us 'It's Love' on a Michael Jordan DVD, or performing incredible versions of her greatest hits at Dave Chappelle's Block Party, live from Brooklyn, New York, like a Donny Hathaway or Sam Cooke. Have you seen her perform? This is Jill Scott, everybody. Oh, Jill Scott, everybody. Still living her life like its 'Golden', Jilly from Philly even told us this was 'The Way' way before 'The Mandalorian' did. 'The No. 1 Ladies' Detective Agency' star and model still sounds as fresh as she did when she unleashed 'Bedda At Home', or the morning breeze intro to 'The Light Of The Sun'. And now we're 'Blessed' to be a witness again.

The DC Lady Eve ('Black Lightning') and 'Get On Up' James Brown biopic star (alongside the late, great Chadwick Boseman) gives us 'To Whom This May Concern' (YOU!). Completing a big-three of music releases to already begin 2026 after part one of Labrinth's 'Cosmic Opera' and J. Cole's final album 'The Fall-Off'. And this one trumpets them all with a grand return over amazing African album artwork and sketches that will have you repeating the affirmations told, like, "we can save ourselves", "your rules are nothing", "I am my own body", "you can not touch me" and "I'm free". Strengthened by the singles 'Beautiful People' and 'Pressha', 'To Whom' gets by with a little help from her friends. Whether it's Maha Adachi Earth on the 'Dope S###' intro, Trombone Shorty on the bold 'Be Great', the Tierra Whack assisted 'Norf Side', a darling Ab-Soul on an 'Ode To Nikki', JID co-signing 'To B Honest', or 'BPOTY' featuring the legendary Too $hort.

The poet's prose lights up nineteen tracks produced by frequent flyers and absolute legends like Andre Harris and DJ Premier coming off his own 'Light-Years' epic with Nas to close the calendar of last year's mass appeal. But this neo soul legend still has it too, one day before Valentine's Day. This Friday the 13th really was lucky for us, Freddy! It's love again. On this Blues Babe record you know longer have to ask what happened to that girl, after a decade going dark, when you hear the Baby and Clipse sampling 'Me 4'. Brrrr! This is a legend that's so iconic that the great Alicia Keys even had a song called 'Jill Scott' (on the criminally underrated 2021 (it was COVID time) 'Keys' album), featuring Jill Scott herself. But now, there's so much heat on this record, it's hard to pick a big-three for our playlist picks below. 'The Math' you need to calculate. 'Pay U On Tuesday' that throws it back like 'Sinners' for the traditional music fellow white people shouldn't try to assimilate and suck dry like vampires. The 'Offdaback' tribute to all those that came before. The 'Disclaimer' that needs to be said. The anthemic 'Liftin' Me Up'. All the way to the 'Sincerely Do' outro to this love letter to who else, but music?

She 'Don't Play', like Wesley Snipes' Blade talking about Cassandra Nova. And you ain't a jackhammer, and she, no city street.  Focussing on patience during her hiatus, it's so nice to be back in 'A Universe' where Jill Scott records are released. Singing, "I can love, and I can check me/I can choose character over every f###### thing/I can forgive, I can forget if I want to/I can better begin all over again/I was singularly minding my business/I felt like my love life was finished/I was satisfied, believe me/I got my music, my family/Genuine friends who love me/Check up on me, pray for me/I wasn't even feeling lonely/Then you pulled up on me," in that unmistakable powerhouse of a voice. That sound is uniquely hers, too, like on 'Àṣẹ', where she chases lines with positive feeling of love like, "I see you, you got love on the brain/It's all in your hands, all in your veins/In every part of you, in every molecule/I see you, wiggling your toes in the rain/Joyful freedom, it belongs to you." Don't sleep on one of the greatest in the game. It's "bedda" that we have her back home. 'Right Here, Right Now' under The Orchard like, "Ain't no shame in my game, I'm here to stay/I have the answer to your questioning/Mm, does love still exist? Oh, yeah/I am love, I can take it/I might get weary, but I won't break it." This may just be the best of the rest. This concerns all of us. TIM DAVID HARVEY.

Playlist Picks: 'Be Great (Feat. Trombone Shorty)', 'Pay U On Tuseday', 'The Math'.

Spin This: Jill Scott - 'The Light Of The Sun'.