4/5
Common People.
468. That's how many times the word "love" is used in rapper slash actor Common's new memoir and second scribe, 'Let Love Have The Last Word'. Believe me I counted. Why? Because this language truly is a labour of love. Almost 500. Half of a thousand. Even though love doesn't appear at first until the seal of the seventh page. That's more than twice as many times than there is pages to this books body of text. But never overused. Always heaven sent meant. "I never knew a love, love, love like this". You truly are seeing the light here. Love is all around and all you need. It's something we all have in common, hurt or heartfelt. It has the power to lift you up...and put you right back down. It can break your heart. And it can heal all world war wounds. It can come from mother, daughter, father's and sons. Lovers and friends. And everyone all around us. To what could become of strangers on the street street to those we will never meet. There's love for the physical. The spiritual. Animals. The earth we live on and the wildest dreams we fall asleep with every night, looking towards the future. It can even happen as the author of this book tells us in simply holding the door open for another person. "Love is a verb" as Common says. A doing word. A call to action. "The first emotion I ever experienced was love", Lonnie Lynn wrote in his autobiography almost a decade back. His first New York Times bestselling book, 'One Day It'll All Make Sense', named after one of his hallmark hip-hop classics like 'Can I Borrow A Dollar', 'Resurrection' and the double-header of definitive healing in 'Be' and 'Finding Forever'. Not to forget the beautiful and experimental 'Electric Circus'. And this four letter word runs through his follow up and most personal and profound prose yet like blood through your veins and hope to your heart. The 'Glory' Oscar winning singer who has also appeared in 'Selma', 'The Hate U Give', 'Terminator' and 'John Wick' movie chapters, fighting with Batman, Christian Bale and kicking Keanu Reeves ass like their was a bounty on the boogeyman and used to love H.E.R. fist to desk, taps in and lets us feel how his heart really beats with the click, clack of his typewriter. Like we all will in unison time.
Love is...this. The corner of your bookshelf really is about to give you this feeling. The dreamer and the believer will give you the desire and faith of this with his vision that is more than just the words you see on the page. The genre icon who once sang with John Legend that he's "from the land where money talks and love stutters," gives it it's voice here for all those who can't find the words. "God is Love. Forgiveness is Love. Self-Care is Love. Art is Love. Compassion is Love". The Sam Cooke and Stevie Wonder soul of hip-hop and the greatest and most inspirational conscious rapper of all-time gives us the perfect Spring read for the park or early evenings as the light from the sun comes in. Giving us a memoir manual as inspirational as the king Muhammed Ali's 'Soul Of A Butterfly' or the late sportscaster Stuart Scott's 'Every Day I Fight' cancer battle, the man who fell in love with her, Erykah Badu and tennis ace legend Serena Williams as well as his beautiful mother and daughter details his loves life and times, whilst relating to ours and offering a mirror through his words of wisdom for us to reflect. Like his chapter bookmark beginnings with love quotes from the legendary likes of Martin Luther King Jnr, Maya Angelou and Socrates, all with intention not pretention. Like the closing quote of 'If Beale Street Could Talk' author James Baldwin tells us, "Great art can only be created out of love". And you can see where the 'Come Close' and 'Retrospect For Love' artist got his inspiration from like Mary J. Blige and Lauryn Hill. Preaching gospel, compelling and eloquent, Common shows us what love means to him in relation to God, family, his passion projects like this one and his desires and dreams for another partner and to one day be a husband as well as a father. Vulnerable in his commitment he reveals his flaws when it comes to wanting to make this house a home and his mistakes as a man. All so we can pay attention and heed. All so we like he can learn from his mistakes in our own love for self and what in turn that can do for us opening our hearts to others. Love in action over love addiction sure sounds like a plan...straight from the heart.
Honest and genuine, the philanthropist, Lonnie Corant Jaman Shuka Rashid Lynn gets real and raw when he gets to the real heart of matters like watching his pops pass or his stepfather never leaving his mother's side when she was sick. Yet for all the times it's used-even in its unaccounted for past tenses-the word "love" is missing from many pages detailing prison visits from the rapper in concert like country late legend Johnny Cash performing at San Quentin. All until the end of these passages. This could be because Common's love in action with this reaching out to the bonds of the incarcerated speaks for itself without puffing it's chest out. Or it may be symbolism to show what is truly missing from our prison system today. Common also opens up the conversation further on mental health matters, especially in relation to the immeasurable amount of men not speaking up, out, or being spoken for. Especially those hiding behind the shame of abuse. And Lonnie Lynn too after decades in the spotlight and even more in coming to terms with this all in this moving memoir reveals he was molested. And in making this stand against toxic masculinity and sexual violence towards people in more ways than one, he bravely gives more than himself a voice. Showing he, we, you, I, him and her are never alone in this. His story like his life is really something. Prologue to the closing chapter. And in an epic epilogue of powerful portraits and personal playlists Rashid gives us something for our Spotify to show us what he was jamming to whilst putting all this lasting 'Love' down. Classics like 'A Love Supreme' by John Coltrane, 'The Makings Of You' ("children laughing all around you"...truly) by Curtis Mayfield, Marvin Gaye's 'God Is Love', the Commodores 'Zoom' and 'The Way Young Lovers Do' by Van Morrison. Get in sync now to this headphone rhythm. But if that isn't enough for your lent ears, like it all making sense one day, it seems like love just won't have the last word in these here pages. Like naming his first book after one of his albums, Common will names his next album after this book. A summer album set to smash feature J Dilla, Kendrick Lamar and soul man Leon Bridges. And songs like the tear inducing, Marvin Gaye inspired 'God Is Love' with the aforementioned, the bicep curl strong 'Hercules' and 'Her Love', a spiritual sequel to his signature classic 'I Used To Love H.E.R.' like this album is to this book. Showing that when it comes to rappers writing with a pad and pen, their true love will have the last word on wax. Because after all like Rashid Lynn's Common Sense tells us 'Let Love Have The Last Word' "is not just a declaration. It's a statement of purpose." And what a one to make with so much of that. Love to some may just be a word. But it's one to the rest that will last forever. TIM DAVID HARVEY.
Monday, 27 May 2019
Sunday, 26 May 2019
REVIEW: MAVIS STAPLES-WE GET BY
4/5
Staples It Together.
Soul staples don't get much more signature than Mavis Staples. The iconic powerhouse gospel singer was already a legend. And one for countless years and decades of told influence. Like Aretha. Like Stevie. Like Diana Ross. Sam Cooke. You may have heard of The Staples Singers family affair. But being a prominent voice through the decades of MLK, JFK, Bob Dylan and Muhammad Ali, how about her work as a civil rights activist? Singing about the rhythm and blues has already inducted her into the rock and roll Hall of Fame. Not to mention the blues one. And she's stayed as relevant as her cause. Staying the course and working with legends like the late, great Prince, mainstream mass appeals like Gorillaz and legends of the future like singer/songwriter Hozier. But now the Chicago great who has been in this game for more than a half century and decades change starts a whole new legacy. Great singer/songwriter of our generation Ben Harper has already worked with his fair share of legends like himself. From the Innocent Criminals, to the Blind Boys Of Alabama. Relentless7 to Fistful of Mercy. And blues icon Charlie Musselwhite to his own idol, his dear mama, Ellen Harper. But now in producing the new 'We Get By' album of Mavis 'the mother to us all' Staples with his own signature. The perfect marriage collaboration like Rick Rubin and the man in black, Johnny Cash. This is Mavis Staples' American recordings. Harper spins his definitive and diverse discography as the most selfless and amazing artist of our time to classic records of our past that in times like this in this life help us get by.
Classic like the chain-link cover Gordon Parks, 1956 photo of kids looking at the ferris wheel of an amusement park from behind a fence (you seeing this Trump?), this testament is timeless from the moment Staples struts her evergreen stuff at 80 years old over Harper's hallmark guitar riffs on the opening call to 'Change' over the decades. You can see why legacy makers like the all dancing new bohemian American dream of Maggie Rogers with the other best album of the year ('Heard It In A Past Life' that hasn't come off constant repeat since January and won't until this time next year), who performed at Mavis' 80th birthday party concert take so much inspiration from this icon. Although that backstage International Women's Day photo from this pioneers Twitter timeline says it all in a thousand words from Rogers in awe face as Staples with her hands cupped offers her wisdom pearls. Just like here as she sings, "Gotta change around here/Can't go on this way/Things gotta change around here/Say it loud, say it clear/Things gonna change around here" like heed should have already been heard and learned...for decades. Before duetting with the dynamic Harper on the title track and equally rocking to the souls core 'We Get By' after 'Anytime'. Where Staples sings, "Give me a one-way ticket/Somewhere I've never been/I'm rock, paper, scissors/And I'm bound to win". But bringing 'Brothers and Sisters' together like the family names on Ben's Beatles 'John, Paul, George and Ringo' inspired t-shirt in the above picture and lasting lyrics like, "We belong to each other/Brothers and sisters (Brothers and sisters)/So be strong for each other/Brothers and sisters (Brothers and sisters)/Got to be brave in a scary world/Brothers and sisters (Brothers and sisters)." Showing under the sun we are all one big family in this world.
Slow burning on the smouldering 'Heavy On My Mind', Mavis muses on the fight or flight choices we have today and tomorrow in this life or death,"Locked in a safe/In a cage, in a cell/We can wait out the storm/Or we can stand in the rain/Gonna have to mourn/Or hide from some pain." Whilst the upbeat 'Sometime' claps in blues dance unison like Harper's 'Get Up' collaboration with Musselwhite 'We Can't End This Way' here on 'Get By'. That one waltzed it's way to a Grammy. This one two steps to legendary status. Forget platinum. This record is the classic gold standard. Just like it's standout track, 'Never Needed Anyone'. The brooding blue ballad worthy of Billie or cigarette ash bars from yester decade all staring at the stage of an icon in her own spotlight. The kind of court Staples held 50 years ago and still does to this day on a tribute to that era as timeless as the classics she wrote back then in her prime. Wait...decades and decades, pushing a century later, she's still in her prolific prime. Even 'Stronger' like said song and the sense of self she gives her listeners. "Samson tore the building down/Moses climbed to higher ground/And when it comes to me and you/There ain't nothing I wouldn't do," on a song where the singing tells us nothing in the world is as strong as Mavis' love for her muse. A "house on the hill" or a "face on a dollar bill" is just bricks and mortar and spare change in comparison. Just like on 'Chance On Me' where she tells us "I don't need a sky full of stars", or a symphony. More like "just one violin" as she bares her soul, "Wondering, wandering/Lightning and thundering/Longing and hungering/Love gives us no warning." This is the raw elements of the genre in all its glory. Closing things up like last orders of the blues, 'Hard To Leave' shares songwriting DNA with the set stealing, 'Never Needed Anyone.' "Late night calls of longing/Pressing play/On Marvin Gaye/Trying to right the wrongings/Softly reaching over for your touch upon my sleeve/It's always hard, so hard to leave." Before the 'Change' reprise closer of 'One More Change' brings us right back to the opening call just like the testament that this testimonial is a tribute to the same message this activist for civil rights delivered half centuries ago. And that's the point. The more we seek to change, the more things move in that same direction, no matter what barrier has to be broken like a fence climbed or a wall leaped. "Been holding on too long to let go/Been running too hard to slow down." Even without Abraham, Martin and John. Or even Obama. We can still get by thanks to the change Staples brings back together. Forget the bad weather. Mavis' soul shines bright for life. Forget pushing a century. Timeless artists craft forever. And there's a message in this music that will always be read like those willing to lend their ears to listen. Give it up. TIM DAVID HARVEY.
Playlist Picks: 'Change', 'We Get By Feat Ben Harper', 'Never Needed Anyone'.
Staples It Together.
Soul staples don't get much more signature than Mavis Staples. The iconic powerhouse gospel singer was already a legend. And one for countless years and decades of told influence. Like Aretha. Like Stevie. Like Diana Ross. Sam Cooke. You may have heard of The Staples Singers family affair. But being a prominent voice through the decades of MLK, JFK, Bob Dylan and Muhammad Ali, how about her work as a civil rights activist? Singing about the rhythm and blues has already inducted her into the rock and roll Hall of Fame. Not to mention the blues one. And she's stayed as relevant as her cause. Staying the course and working with legends like the late, great Prince, mainstream mass appeals like Gorillaz and legends of the future like singer/songwriter Hozier. But now the Chicago great who has been in this game for more than a half century and decades change starts a whole new legacy. Great singer/songwriter of our generation Ben Harper has already worked with his fair share of legends like himself. From the Innocent Criminals, to the Blind Boys Of Alabama. Relentless7 to Fistful of Mercy. And blues icon Charlie Musselwhite to his own idol, his dear mama, Ellen Harper. But now in producing the new 'We Get By' album of Mavis 'the mother to us all' Staples with his own signature. The perfect marriage collaboration like Rick Rubin and the man in black, Johnny Cash. This is Mavis Staples' American recordings. Harper spins his definitive and diverse discography as the most selfless and amazing artist of our time to classic records of our past that in times like this in this life help us get by.
Classic like the chain-link cover Gordon Parks, 1956 photo of kids looking at the ferris wheel of an amusement park from behind a fence (you seeing this Trump?), this testament is timeless from the moment Staples struts her evergreen stuff at 80 years old over Harper's hallmark guitar riffs on the opening call to 'Change' over the decades. You can see why legacy makers like the all dancing new bohemian American dream of Maggie Rogers with the other best album of the year ('Heard It In A Past Life' that hasn't come off constant repeat since January and won't until this time next year), who performed at Mavis' 80th birthday party concert take so much inspiration from this icon. Although that backstage International Women's Day photo from this pioneers Twitter timeline says it all in a thousand words from Rogers in awe face as Staples with her hands cupped offers her wisdom pearls. Just like here as she sings, "Gotta change around here/Can't go on this way/Things gotta change around here/Say it loud, say it clear/Things gonna change around here" like heed should have already been heard and learned...for decades. Before duetting with the dynamic Harper on the title track and equally rocking to the souls core 'We Get By' after 'Anytime'. Where Staples sings, "Give me a one-way ticket/Somewhere I've never been/I'm rock, paper, scissors/And I'm bound to win". But bringing 'Brothers and Sisters' together like the family names on Ben's Beatles 'John, Paul, George and Ringo' inspired t-shirt in the above picture and lasting lyrics like, "We belong to each other/Brothers and sisters (Brothers and sisters)/So be strong for each other/Brothers and sisters (Brothers and sisters)/Got to be brave in a scary world/Brothers and sisters (Brothers and sisters)." Showing under the sun we are all one big family in this world.
Slow burning on the smouldering 'Heavy On My Mind', Mavis muses on the fight or flight choices we have today and tomorrow in this life or death,"Locked in a safe/In a cage, in a cell/We can wait out the storm/Or we can stand in the rain/Gonna have to mourn/Or hide from some pain." Whilst the upbeat 'Sometime' claps in blues dance unison like Harper's 'Get Up' collaboration with Musselwhite 'We Can't End This Way' here on 'Get By'. That one waltzed it's way to a Grammy. This one two steps to legendary status. Forget platinum. This record is the classic gold standard. Just like it's standout track, 'Never Needed Anyone'. The brooding blue ballad worthy of Billie or cigarette ash bars from yester decade all staring at the stage of an icon in her own spotlight. The kind of court Staples held 50 years ago and still does to this day on a tribute to that era as timeless as the classics she wrote back then in her prime. Wait...decades and decades, pushing a century later, she's still in her prolific prime. Even 'Stronger' like said song and the sense of self she gives her listeners. "Samson tore the building down/Moses climbed to higher ground/And when it comes to me and you/There ain't nothing I wouldn't do," on a song where the singing tells us nothing in the world is as strong as Mavis' love for her muse. A "house on the hill" or a "face on a dollar bill" is just bricks and mortar and spare change in comparison. Just like on 'Chance On Me' where she tells us "I don't need a sky full of stars", or a symphony. More like "just one violin" as she bares her soul, "Wondering, wandering/Lightning and thundering/Longing and hungering/Love gives us no warning." This is the raw elements of the genre in all its glory. Closing things up like last orders of the blues, 'Hard To Leave' shares songwriting DNA with the set stealing, 'Never Needed Anyone.' "Late night calls of longing/Pressing play/On Marvin Gaye/Trying to right the wrongings/Softly reaching over for your touch upon my sleeve/It's always hard, so hard to leave." Before the 'Change' reprise closer of 'One More Change' brings us right back to the opening call just like the testament that this testimonial is a tribute to the same message this activist for civil rights delivered half centuries ago. And that's the point. The more we seek to change, the more things move in that same direction, no matter what barrier has to be broken like a fence climbed or a wall leaped. "Been holding on too long to let go/Been running too hard to slow down." Even without Abraham, Martin and John. Or even Obama. We can still get by thanks to the change Staples brings back together. Forget the bad weather. Mavis' soul shines bright for life. Forget pushing a century. Timeless artists craft forever. And there's a message in this music that will always be read like those willing to lend their ears to listen. Give it up. TIM DAVID HARVEY.
Playlist Picks: 'Change', 'We Get By Feat Ben Harper', 'Never Needed Anyone'.
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