4/5
Beauty Behind The Mayhem
A star is reborn...back the way she used to be. Like 'Abracadabra'. Lady Gaga is back for one of the biggest albums and New Music Fridays of the year...and we've only just marched. Releasing the 'Mayhem' of her new album that takes us back to the good old 'Fame' days of her pop art like Warhol. Going head-to-head, but also in togetherness, with 'Sour Candy' BLACKPINK collaborator JENNIE and her new 'Ruby' album. And, no doubt, there's little between Stefani and K Pop sensation, coming one week after her bandmate LISA. Both albums are just that brilliant. Like these women in music, word to the new Haim material coming soon, back a half decade ago in 2020. That candy, like Pink's 'Ice Cream' with superstar Selena Gomez, came off Gaga's 'Chromatica'. An album that shower the Oscar winning star of Bradley Cooper's 'A Star Is Born' could still make music as good as her movies, like the recent Grammy, going out of this world with a smile, showed.
Going Gaga on 'The Chromatica Ball' world tour, this Lady couldn't be stopped. Even coming here to Tokyo, Japan, coming out of corona. Just like Tom Cruise's massive 'Maverick' megahit sequel to 'Top Gun', spearheaded by Gaga's single from it, 'Hold My Hand'. I'm not ashamed to say, I shed tears when I saw this live in concert...it had been a rough time, and it just sounds so epic. Germanotta was such a sure thing when it came to movies ('House Of Gucci'), she was cast as legendary Batman villain, The Joker's love interest Harley Quinn in Todd Phillips' sequel to the Joaquin Phoenix Oscar win, 'Joker: Folie à Deux'. With big pink stilettos to fill after 'Barbie' blockbuster superstar Margot Robbie made it her own, putting the hammer down. It was a great bit, but critics didn't get the gag. Still, amongst all this mayhem and madness, daddy's little fame monster still didn't stop. Scoring a Grammy with Bruno Mars for their definitive 'Die With A Smile' duet, whilst the pop prince was making 'Apt.' anthems with other members of Blackpink (Rosé).
Then 'LG7' was announced. Lady Gaga's seventh studio album, following the huge successor of its predecessor and the more personal 'Joanne' before that. Crazy when the 'Five Foot Two' singer had just released her own personal songbook for her Joker character in the 'Harlequin' album, that went next to the 'Folie à Deux' soundtrack, which felt like another actual album in itself akin to her 'A Star Is Born' duet big-score with 'Maestro' Bradley. Heading for 40, and still the Queen of 'Artpop' like LeBron James is the King of Basketball. Recorded at Rick Rubin's Shangri-La studios in Malibu, California, and armed with Hollywood hits and music videos (the delightful 'Disease' and amazing 'Abracadabra') in all their classic chorography that breaks a whole new hallowed ground, 'Mayhem' also features the Bruno bonus, when originally this Grammy winning best original song was not going to feature on either artist's album. You best believe both have the hits to leave it on the cutting room, but Mars should make it on his own one too. The inspired inclusion to all this 'Mayhem' here seals Lady Gaga's seventh heaven of an album as an actual classic as the rest of the world catches on.
Yet, even without it, this sensational slice of synth-pop and beautiful genre blend still hits. Like the boundless bloom of the next one in the 'Garden Of Eden' for all you Adam and Eve's in the Big Apple. "I could be your girlfriend for the weekend/You could be my boyfriend for the night/My excuse to make a bad decision/Bodies gettin' close under the lights", she sings to chorus conclude this big-three grand opening. From the black and white, back to the basics cracked reflection of a classic cover, to the epic experimentation of these beautiful blends of album artwork, Gaga goes back to how she always used to do it...pushing the envelope like no one before. Whether it be the 'Perfect Celebrity', or the 'Shadow Of A Man'. Even the lavishing lyric videos to these songs actually feel like music ones. Especially 'Zombieboy' or 'The Beast' for all you beautiful monsters. French DJ Gesaffelstein assists a 'Killah' track like Ghostface on the ones and twos, but it's 'Vanish Into You' where we see and hear Stefani Germanotta at her most beautiful and personal.
Prince. Bowie. Electronic and industrial music. They all help inspire one of pop's best, greatest albums to date. All the way to bonus tracks like 'Can't Stop The High' (Japan etc) and 'Kill For Love' (Target, HMV and them). From a magic, 'Spellbound' sampling opening, Gaga takes the mic again like this was 'The Hunger Games', and we show our allegiance like two kissed fingers high to the sky. Like a 'LoveDrug', how bad do we want her? Well, how about "She's on your mind, like, all the time/But I got a tattoo for us last week/Even good boys bleed." Still, the 'Telephone' singer hold her own and the phone, telling us 'Don't Call Tonight'. The pop icon like Beyoncé returns to her roots and grows even more from these fresh cuts like a 'Blade Of Grass', inspired by a heartfelt moment with her fiancée Michael Polansky. "Lovers kiss in a garden made of thorns/Traces of lonely words, illusions torn/You said, "How does a man like me love a woman like you?/ I said, "Hold me until I die and I'll make you brand new"." Even far from the shallow now, Lady Gaga shows she's still a pure pop songwriter first and foremost. And a force of nature amongst all this mayhem. Dying and smiling, now how's that for some magic made together? TIM DAVID HARVEY.
Playlist Picks: 'Disease', 'Garden Of Eden', 'Die With A Smile (Feat. Bruno Mars)'.
Spin This: Lady Gaga - 'Harlequin'.