REVIEW: U2 - DAYS OF ASH EP

4/5

Ash Wednesday

It may not always be a beautiful day, but U2 are back in play. In these times of war and disorder, we need a voice, like the people that are fighting the power that corrupts, and Bono are the boys are offering a helping hand with theirs clasped together in coming together, comeback solidarity. Yeah, yeah, you may cry "f###, U2" (who? me and who?), like Tyler, The Creator, because your iTunes automatically gave you an album ('Songs Of Innocence') that literally felt forced, but I didn't even have a laptop with an internet connection back then. I wanted that. Is this really guilty of being controversy on the same New Music Friday where we get albums from artists no stranger to that? Although I stand firmly behind the man who told Bono to "stop f###ing clapping your hands" when he talked about people dying of AIDS every time he put his hands together.

Self-righteous? Indignation? In this age of virtue signalling online, it's hard to tell what's real and who genuinely wants to help, but you can't deny all that Bono and U2 have done. Even if at times they've hit 'Elevation' insufferable levels like Coldplay. Yet you can't deny either acts amazing anthems. There's always going to be cynical comments, but at least this band on the run against hate is fighting the good fight like friend and E Street neighbour Bruce Springsteen's ICE out anthem 'Streets Of Minneapolis' to go alongside his Philadelphia avenue, that along with the Tom Hanks and Denzel Washington movie it won Academy Awards with, looked to raise awareness for HIV and AIDS without a round of applause. Here, U2 enlist more famous friends for their urgent 'Days of Ash' EP. Their first album of original material since 2017's 'Songs Of Experience' (2023's 'Songs Of Surrender' in their chronology and 'Songs Of' trilogy was a reworked album for the Irish act who always did this on their greatest hits) had to come now. Released on Ash Wednesday, a day after Willow's surprise drop of 'Petal Rock Black', before the New Music Friday of Mumford & Songs and all the other prize-fighters.

Ed Sheeran, until he's seventy, plays on 'Yours Eternally', but it's Ukrainian singer Taras Topolia who has a much more indelible impact on this track. One written as a letter from a soldier, in closing of this six-track extended play, reading, "Dearest friends or whatever/We are callin' ourselves these days/My current location/I cannot disclose/Geographically/It's nowhere that I've been before/But emotionally/We're on the same road", hiding in the plain-sight of fear. The same can be said for the spoken-word track of 'Wildpeace', a poem by Yehuda Amichai, read by Nigerian artist Adeola, telling us, "I know that I know how to kill/That makes me an adult/And my son plays with a toy gun that knows/How to open and close its eyes and say Mama." A stark reality for a band who once opened a live show with a video of a child tentatively taking a handgun out of high-street shopping bag. Produced by Jacknife Lee, and recorded as an "immediate response" to current events, in the Curlews and Universal studios, Bono is ready to write an 'American Obituary' with an incendiary video.

All for the likes of Renee Good, who lost their lives to bad men and the coldest ICE. "I love you more/than hate loves war", Bono sings in this anthem call to arms that embrace instead of disgrace. Holding up a mirror to the current state of America that shows, "930 Minneapolis/To desecrate domestic bliss/Three bullets blast, three babies kissed/Renee, the domestic terrorist???/What you can't kill, can't die/America will rise/Against the people of the lie." The political urgency, and hope amongst the hurt, continuing on the Richard Rohr book based 'The Tears of Things'. Or the 'Song Of The Future' that sings for the Iranian Women, Life, Freedom movement led by Sarina Esmailzadeh. Hoping to change things, 'One Life At A Time', with a dedication to Awdah Hathaleen, a Palestinian activist killed in the West Bank. Released to coincide with a special edition of U2 fanzine 'Propaganda', the struggle and resilience is clear to see. This band just being a microphone for the people with the megaphones. We know where the real courage for freedom lies. Hate has no home here in heart. Lend your hand in art. Don't play your part in scars. Ashes to ashes. TIM DAVID HARVEY.

Playlist Picks: 'American Obituary', 'The Tears Of Things', 'Yours Eternally (Feat. Ed Sheeran & Taras Topolia)'.

Spin This: U2 - 'War'

REVIEW: WILLOW - PETAL ROCK BLACK

4/5

Flowers For Willow

Hands across America, holding in beautiful black and white for the amazing album artwork, reach out to you with love, peace and understanding during these troubling and turbulent times. Look (shout out to my poet, Stock), I know I always call every New Music Friday release the album of the year, although it's only February (and with the latest drops from Labrinth, J. Cole and Jill Scott, can you blame me?), but I may not be over exaggerating here. Besides, at 25, WILLOW Smith is on a tear, and perhaps the best turn of her career. Seemingly releasing an album, of redefining difference, every year in her young Prince genre blend (and check out the 'i would die 4 u' terrific tribute here). Her latest, released on a New Music TUESDAY (?), 'petal rock black', changing the game again with a subtle, beautiful bloom.

More music heads need to whip their way to this willow wisdom at the same time her famous father follows 'Welcome To Earth' with another National Geographic great documentary series, 'Pole To Pole', Will Smith fancying himself as the next Michael Palin. We can't wait for a familiar collaboration, Will, his 'After Earth' and 'The Pursuit Of Happyness' co-star Jaden, or Jada, and her heavy metal outfit. But right now, nobody is making music in the Smith family like Willow, and the parents just DO understand. Compelling collaborations come here with the legends of the game. A Funkadelic George Clinton on the spoken word, album-title introduction, the eclectic Cali outfit Tune-Yards (on the powerhouse 'omnipotent') and new age jazz maestro Kamasi Washington letting it 'Play' like you should press. Because this seventh seal from Smith, following her jazz-infused 'Empathogen' is another epic that might best the rest.

Instantly iconic from the moment the butterfly effect of the artwork hits, looking like a young Willow "is a player" herself. This Three Six Zero and Gamma ray of a record coming two years after her last cut went classic. All for an incredible decade of her twenties as she's roared through ours with albums like the isolation helping 'Lately I Feel Everything' and 'Coping Mechanism' influence. Not to mention 'The Anxiety' she shared with Tyler Cole. This is pop at its most progressive from the 'Ardipithecus' artist, who, ever since 'The 1st' album and her self-titled one, has always been about more than their hair she shaved off in a statement in solidarity with herself, and uniquely her own. Throwing guitars into your MTV or BET. This avant-garde electro-funk is art heard to the 'ear of the cocoon' and her mother's love. A definitive dozen tracks, less than a half-hour, but all power. What more could you expect when this album was produced by Grammy winning, 'Soul' and music man Jon Batiste?

The surprise digital drop of the shortest, but best month of love, WILLOW dubs this "personal offering" as one that "honors the labor of creation" in her "artistic dedication". Recorded in isolation over a calendar and change and garnering critical comparisons to Erykah Badu and Tori Amos (now that's elite, deserved company), after highlights, like 'Vegetation' and 'nothing and everything', you need to hear this out like, "Gate gate pāragate pārasamgate bodhi svāhā" in repeated refrain. Most tracks are quick, like the incredible 'living in the heart' interlude. And there's a beautiful 'holy mystery' with the religion of, "Lay me down on your altar (Uh, ayy, ayy, uh, ooh)/Lay me down on this altar of love (Uh, ayy, ayy, uh, ooh)/I am an offering (Uh, ayy, ayy, uh, ooh)/I am honoring thee (Uh, ayy, ayy, uh, ooh)." Like water, this album is 'not a fantasy' or conditioned love Willow will not vow or bow to. 'Sitting Silently' on her soundboard she says it best, "Sitting silently, sitting alone in my room/Focus on my breathing, try to hear love speaking, keep on." This music and artist reaches for more. TIM DAVID HARVEY.

Playlist Picks: 'Vegetation', 'Play (Feat. Kamasi Washington)', 'i would die 4 u'.

Spin This: WILLOW - 'Empathogen'.

REVIEW: MUMFORD & SONS - PRIZEFIGHTER

4/5

Mumford's The Word

Click...click...spark! It's just almost marching to the time last year when 'Rushmere' was here, yet best of British folk rockers Mumford & Sons already have another album out this New Music Friday. And this killer is a 'Prizefighter', with a lighter of album artwork, after the group have been through it all, solo albums and controversial bandmate departures, and then some. Beautifully they 'Begin Again' with some of their best work since they wanted us to 'Believe' in their Dylan like electric turn. Fellow the U.K's own Labrinth, J. Cole's last album, Jill Scott's grand return. The last month of this brand-new year is already giving us some of the biggest releases of the calendar. And this one doesn't pull any punches.

Coming out of the corner with the album titled single, a 'Rubber Band Man', like T.I., and 'The Banjo Song'. It just feels like old times for the amazing act again. The beautiful 'Banjo' video featuring a Streets Of Soul casting of people from club nights in Bristol. Soul telling us, "these are the dancers that always brighten up our dancefloors, the ones that love to dance. We brought them together with their different styles, energy and flair. We saw how quickly they all became one... Their differences became their joy and connection." Now, that's the gold like the ZIPPO on this CD's cover. Snapping back to the 'Rubber Band', not only is this song penned by a top artist, hitmaker Brandi Carlile, it also features the great Hozier, no stranger to unearthing folk album after folk album himself. It's the perfect collaboration made in iron and wine heaven as Marcus Mumford sings, "You're a world away/But you're still the same/I know by your heart/I will call you by your name/And it's a long way/From the crack to the break/You know that I remember everything."

The compelling collaborations don't end 'Here' for a band who are travelling all over the Delta, see the opening track with country strong star Chris Stapleton. The American dream for one of Obama's favourite bands continues on the Gigi Perez assisted 'Icarus' ("It took me all I had/To turn away from this one/Thought I'd take my chances/I was blinded, I was young/But then all at once/I was back to where I'd begun/I was burned by the morning/I got too close to the sun") that flies close to the Floridian sun. Whilst Taylor Swift co hitmaker Gracie Abrams heads into the Bruce Springsteen like 'Badlands' with this band, singing "Set myself up to become a man/Who wasn't there for the backhand/Getaway car in the quicksand/I think you may never understand." Yet despite the American apparel, this still feels fondly familiar to Mumford and all those sons. And despite the big budget guest features, it's still one of the band's most personal projects to date. The gangsters and angels of 'Conversation With My Son', for all the Cat Stevens father and sons, could even find itself on the new 'Immortal Man' of a 'Peaky Blinders' movie in-between Cillian Murphy and Barry Keoghan's Shelby's.

Oh, and if that wasn't enough, Bon Iver's Justin Vernon wrote both 'Badlands' and the 'Prizefighter' title-track. Whereas Billie Eilish's very own brother and new age Bernie Taupin, Finneas had the song 'Run Together' in his back pocket. Stalking like an 'Alleycat', this is still a Marcus Mumford, Ben Lovett, Ted Dwane, and Aaron Dessner written affair, however, at their New York Long Pond studio home. This Gentleman of the Road, Island record plays for tracks that are keeps. The only trick missed, like last March's release, is that this band feels like a fall favourite, driving that notion home, like Christmas (rest peacefully, Mr. Rea). On the sweet 'Stay', like this band seem determined to do, Marcus carries on serenading us, like he does Carey Mulligan. Bleeding hearts of crimson all the way to the 'Clover' closer. But before he tells you everything, it's the 'Shadow Of A Man' that really resonates, his hand shaking as he writes these lines, "Old town behind us/I used to fly/Pour yourself a drink/That's when I slide/Always looking for another way out/Never just at ease/When everybody settles down to revel/That's when I have to leave." This fighter will floor you. TIM DAVID HARVEY.

Playlist Picks: 'Rubber Band Man (Feat. Hozier)', 'Conversation With My Son (Gangsters & Angels)', 'Begin Again'.

Spin This: Mumford & Sons - 'Rushmere'

REVIEW: JILL SCOTT - TO WHOM THIS MAY CONCERN

4/5

Great Scott

For whom the bell tolls, the freedom of Philadelphia soul is back. Stand up! It's been just over a decade since this 'Woman' gave us a record. Pardon me, it's been eleven years since the one and only Jill Scott graced our speakers and headphones with her most personal and intimate music. Yet the words and sounds of the real thing are an integral part of music like another Gil Scott. Whether showing us 'It's Love' on a Michael Jordan DVD, or performing incredible versions of her greatest hits at Dave Chappelle's Block Party, live from Brooklyn, New York, like a Donny Hathaway or Sam Cooke. Have you seen her perform? This is Jill Scott, everybody. Oh, Jill Scott, everybody. Still living her life like its 'Golden', Jilly from Philly even told us this was 'The Way' way before 'The Mandalorian' did. 'The No. 1 Ladies' Detective Agency' star and model still sounds as fresh as she did when she unleashed 'Bedda At Home', or the morning breeze intro to 'The Light Of The Sun'. And now we're 'Blessed' to be a witness again.

The DC Lady Eve ('Black Lightning') and 'Get On Up' James Brown biopic star (alongside the late, great Chadwick Boseman) gives us 'To Whom This May Concern' (YOU!). Completing a big-three of music releases to already begin 2026 after part one of Labrinth's 'Cosmic Opera' and J. Cole's final album 'The Fall-Off'. And this one trumpets them all with a grand return over amazing African album artwork and sketches that will have you repeating the affirmations told, like, "we can save ourselves", "your rules are nothing", "I am my own body", "you can not touch me" and "I'm free". Strengthened by the singles 'Beautiful People' and 'Pressha', 'To Whom' gets by with a little help from her friends. Whether it's Maha Adachi Earth on the 'Dope S###' intro, Trombone Shorty on the bold 'Be Great', the Tierra Whack assisted 'Norf Side', a darling Ab-Soul on an 'Ode To Nikki', JID co-signing 'To B Honest', or 'BPOTY' featuring the legendary Too $hort.

The poet's prose lights up nineteen tracks produced by frequent flyers and absolute legends like Andre Harris and DJ Premier coming off his own 'Light-Years' epic with Nas to close the calendar of last year's mass appeal. But this neo soul legend still has it too, one day before Valentine's Day. This Friday the 13th really was lucky for us, Freddy! It's love again. On this Blues Babe record you know longer have to ask what happened to that girl, after a decade going dark, when you hear the Baby and Clipse sampling 'Me 4'. Brrrr! This is a legend that's so iconic that the great Alicia Keys even had a song called 'Jill Scott' (on the criminally underrated 2021 (it was COVID time) 'Keys' album), featuring Jill Scott herself. But now, there's so much heat on this record, it's hard to pick a big-three for our playlist picks below. 'The Math' you need to calculate. 'Pay U On Tuesday' that throws it back like 'Sinners' for the traditional music fellow white people shouldn't try to assimilate and suck dry like vampires. The 'Offdaback' tribute to all those that came before. The 'Disclaimer' that needs to be said. The anthemic 'Liftin' Me Up'. All the way to the 'Sincerely Do' outro to this love letter to who else, but music?

She 'Don't Play', like Wesley Snipes' Blade talking about Cassandra Nova. And you ain't a jackhammer, and she, no city street.  Focussing on patience during her hiatus, it's so nice to be back in 'A Universe' where Jill Scott records are released. Singing, "I can love, and I can check me/I can choose character over every f###### thing/I can forgive, I can forget if I want to/I can better begin all over again/I was singularly minding my business/I felt like my love life was finished/I was satisfied, believe me/I got my music, my family/Genuine friends who love me/Check up on me, pray for me/I wasn't even feeling lonely/Then you pulled up on me," in that unmistakable powerhouse of a voice. That sound is uniquely hers, too, like on 'Àṣẹ', where she chases lines with positive feeling of love like, "I see you, you got love on the brain/It's all in your hands, all in your veins/In every part of you, in every molecule/I see you, wiggling your toes in the rain/Joyful freedom, it belongs to you." Don't sleep on one of the greatest in the game. It's "bedda" that we have her back home. 'Right Here, Right Now' under The Orchard like, "Ain't no shame in my game, I'm here to stay/I have the answer to your questioning/Mm, does love still exist? Oh, yeah/I am love, I can take it/I might get weary, but I won't break it." This may just be the best of the rest. This concerns all of us. TIM DAVID HARVEY.

Playlist Picks: 'Be Great (Feat. Trombone Shorty)', 'Pay U On Tuseday', 'The Math'.

Spin This: Jill Scott - 'The Light Of The Sun'.

TV REVIEW: THE BEATLES ANTHOLOGY

4/5

The Anthology Album

9 Episodes. Starring: John Lennon, Paul McCartney, George Harrison & Ringo Starr. Create By: The Beatles. On: Disney +.

Get back to Disney Plus, if you want to spend more time with The Beatles. Mickey Mouse has given the Fab Four from Liverpool a lot of real estate in Disneyland over the last few years. Almost like the Marvel of superheroes, Star Wars and, cue the clouds, 'The Simpsons'. Now, if you thought Taylor had her era here, and from 'The Final Show' of 'The Eras Tour', to 'The End Of An Era' six-episode docuseries coming at the same time, the biggest musician since John, Paul, George and Ringo really does, wait until you see these lads. 'The Lord Of The Rings' director Peter Jackson's almost nine-hour 'Get Back' documentary, taking a look at the making of their landmark last album 'Let It Be', and their final show on the rooftops of downtown London started it all, saving us in our social isolation, coming out of COVID. But over the last few years, Disney Plus have also given us the remastered 'Let It Be' documentary, thanks again to Jackson, and the year that was, the 'Beatles '64' epic. 

Count on more 'Help!' to come from The Beatles original movies before we get the fabulous four ones from Sam Mendes starring Harris Dickinson, Paul Mescal, Joseph Quinn and Barry Keoghan. Not to mention Saorise Ronan and 'Shogun's' Anna Sawai as Linda McCartney and Yoko Ono, respectively. A Starz Original on the streaming service even gives you McCartney's '3, 2, 1', with a little help from his legendary producer friend, Rick Rubin (The Beastie Boys, Red Hot Chili Peppers, Johnny Cash's 'American Recordings'), but this is The Beatles 'Anthology' that you've been waiting for, created by the band itself. Nine episodes in the biographical docuseries like no other, not even Tay, Tay, gives us a backstage pass to the life and times and highs and lows of the greatest group of all-time. From studio creation to commercial success. Bowl cut to bohemian look. This Apple Corps series tells the tale of Beatlemania, from the scream of teens, to behind-the-scenes. All restored with love by Peter Jackson's Park Road Post.

The long and winding road of this eight-year band (that was it?!), that will last forever takes you through plenty of twists and turns through their eight day week. But all you need is to come together over the love. From coming to America, The Ed Sullivan Show and Shea Stadium, to causing uproar in Japan when they became the first band to play Tokyo's 1964 Olympic martial arts venue, the Nippon Budokan. Now a regular concert fixture in the city, this writer seeing Norah Jones and The Smashing Pumpkins there in just one-week, last September. But from The Cavern, to the Budokan, these Liverpool lads faced trouble in The Philippines when they didn't make a royal appointment for lunch. Frenzied fans full of tears are bound to break some hearts, and some thought that would be it for the Fab Four, but then 1967 came. And an outstanding output like nothing before, or since. After reloading the 'Revolver', they visited 'Sgt. Pepper's' on a 'Magical Mystery Tour', all whilst giving us 'The White Album' and taking a real trip on a 'Yellow Submarine', before they crossed 'Abbey Road' to 'Let It Be'. And now, a new ninth episode reunites Paul, Ringo and the late George as they try to make new music with old Lennon recordings. One that you can hear, added to the anthology, now and then. Always to return. TIM DAVID HARVEY.

Further Filming: 'The Beatles - Get Back', 'The Beatles - Let It Be', 'Beatles '64'

TV REVIEW: TAYLOR SWIFT - THE END OF AN ERA (The 6 Episode Docuseries)/THE ERAS TOUR-THE FINAL SHOW

4/5 ('The End Of An Era')

5/5 ('The Final Show')

Era Redefining

Swiftly, the word "era" has become Taylor's. Even though all of us, not this 40-year-old though, are using it always to describe our everyday life. "I'm in my cream cheese on bagels era." No, you're not, Jack, you're just having a nice breakfast. Enjoy it, whilst we run to work with toast hanging out our mouths. We're in our, "oh DAMN! I'm late again" era. Don't let it go cold for Instagram. Seriously though, Taylor Swift is redefining everything. Music, culture, the economy of some countries. From rerecording her own albums to take back ownership of her masters from the man. To performing all of these albums, or eras, in concert for the biggest tour the world has ever seen on a sold-out stage across the hemispheres. The star who was born to do this is our generations Elvis. And coming out of the cage of COVID, we've never seen a tour quite like this, thank you very much.

I missed it here in Tokyo, but I could still feel the atmosphere outside of the Giants Dome that held Taylor's version two years back. Not sure if I regretted not taking up the offer to digitally pay for tickets from the various X accounts that would be suspended a day later. Anyone in attendance knew they were the lucky ones, mind you. Even the Japanese government reassured the watching world that Taylor would be here just days after she watched her now fiancée Travis Kelce win the Superbowl with his Kansas City Chiefs, like the jerseys that adorned the crowd. If you missed out on a once in a lifetime experience (how does she follow this?), then Disney Plus already has you covered with the concert movie to go along with Miss Americana's 'Folklore: The Long Pond Studio Sessions', behind-the-scenes look at her quarantining to create one of her deepest and best albums to date. But last Christmas, Disney also gifted us with the mammoth three-and-a-half-hour final show of The Era's Tour from Canada's Vancouver, BC.

Now, if that wasn't enough, as a plus, the house of mouse has also given us another documentary to go along with Glen Weiss' great directed showstopper that's available in 4K and Dolby Atmos for all your home cinemas. Featuring, as a treat, the entire set of her album 'The Tortured Poet's Department', that we didn't get from the showgirl's previous set. But the real find for the fans is 'The End Of An Era', 'The 6 Episode Docuseries'. A backstage past to all the inner workings and planning that go into creating and crafting the biggest concert of all-time. Fondly featuring family and friends, this intimate and inspired doc also stars Gracie Abrams, Sabrina Carpenter, Florence Welch, Ed Sheeran, and of course, Travis. Around three quarter of an hour each, these episodes are epic, but they become something else when they introduce us to the cast and crew that Swift states she couldn't do without. Tears will be shed, like when Taylor was deeply affected by the attacks that happened in my hometown of Southport at a Taylor themed dance event for children. And we can't thank her enough for reaching out to meet the families. Purists will love the songwriting process. Fashionistas will say yes to the dress. Yet it's the Emmy worthy, standout episode for Marjorie that gets the most personal. An era to her own. World, welcome back to 'The Eras Tour'. TIM DAVID HARVEY.

Further Filming: 'Taylor Swift - The Era's Tour (Taylor's Version)', 'Taylor Swift - Folklore: The Long Pond Studio Sessions', 'Taylor Swift - Miss Americana'.

REVIEW: J. COLE - THE FALL-OFF

4/5

Fall Through

It's a cold world, but it's still a Cole one. Even if some fans lost respect for Jermaine when he gracefully bowed out of the big-three beef with Kendrick Lamar and Drake...but we all knew who the big he was anyway. Cole's move showed class like his concert speech. I'm just mad at him for saying that Kendrick fell-off "like 'The Simpsons'". I sit on that sofa every day after work to watch the Evergreen Terrace family. I know it ain't like it used to be, but I still love them the same. Well, falling through like coins in the couch (thank you, Drizzy), J. Cole is back with 'The Fall-Off'. His seventh seal and first album since 2012's all-star weekend of 'The Off-Season' coming in around the same time he got a SLAM cover and contract with the NBA's Africa league. Following his fourth mixtape, 'Might Delete Later' in 2024, that he took back like his K.Dot diss.

Preceded by the sensational single 'The Fall-Off Is Inevitable' and it's classic continuing and compelling music video, Cole purists are in for a treat, as 'The Fall-Off' is a double album. But wait...word on the street, confirmed by Cole, is that this double delight is actually his final studio album. Well, if that's so, he goes out with a bang! Like Kobe, there are 24 new tracks to remind you who the G.O.A.T. still might be. Conceived over a decade in a room that looks like the awe-inspiring artwork. Just one wooden easy chair and the hard work of a lot of wires, 808s, CDs and tapes in the deck. The instant vintage that powered Jermaine Cole to be the powerful platinum artist that he is and you can see in the amazing alternative artwork's perfect portrait. Beautiful beats ('Drum N Bass') and lasting lyrics ('Bombs In The Ville/Hit The Gas') lace these changing CD's, as J. Cole gives it up for various legends that came before him, covering and interpolating lyrics from the likes of DMX and OutKast.

This one hour and one-minute long album shows that 2026 is already going to be a big one, just one week into the second month. Coming seven days after the UK's finest Labrinth also gave us part one of a two disc special with his 'Cosmic Opera Act I', coming after last year's 'Prelude'. And Cole had his own precursing EP with last month's celebrated 'Birthday Bash' with DJ Clue. After the '29 Intro', featuring a serious sample of James Taylor's 'Carolina In My Mind', the NC rapper gives us what he's known best for, a hive of active lyrics that sting like a hornet's nest. The man that once boasted about having no features, also has uncredited cameos from Future ('Run A Train', 'Bunce Road Blues' (also with Tems)), Erykah Badu ('The Villest'), Petey Pablo ('Old Dog'), Burna Boy ('Only You') and Morray ('What If'). Not to mention, production from the legendary likes of The Alchemist and many, many more. From 'Two-Six', to the beautiful bonus of 'Ocean Way', the 'Safety' if off as Jermaine unleashes lines like, "Congruent with s### that I do to rhymers/On Deuteronomy, ain't s### n####s can do but honor me/What I'm quotin’ is God sculpted, come view the pottery" for all you 'Poor Thangs' like a "punk b####!"

The 'Legacy' has already been set for this legend of the game, but tracks like 'The Let Out' will make you wish for another album of the same name. Let it be so, Jermaine. Because it's 'Lonely At The Top', but it's never been this compelling. This player's tribune gives us a 'Life Sentence' of dedications ("My flow switch, slow the pace, this the Ma$e one/I'm not a player but I'm crushin' like the late Pun/Let's take one, go"). Pointing to the only one that can judge, the most high, as the 'Man Up Above' offers the terrific Saturday to Sunday, night to mo(ur)ning testament of, "Certainly are, while y'all prefer to be hard/Memories of my dog's wake, it's hurtin' me, y'all/The windows to his soul closed, saw its curtains be drawn/Innocent as a child, but weren't we all? Before the h##s and the smoke." 'I Love Her Again' takes you even further into the heart of a man who delves deeper. And even a 'Quik Stop' offers the quotables of, "We need to change our ways, doin' the same thing we did yesterday/Making beats, gettin' high, chasing freaks, feeling fine/It's still the same old s### (The same old s###), but I think we ain't gon' quit/Making a rhyme, climbing a hill, stayin' alive, tryin' to live." Wise words to ponder before that's it for all of us. Trust, 'and the whole world is the Ville' as Fayetteville's finest signs off with his last sports adjacent album. The Friday night lights are shut off, but the sideline story will still be told. TIM DAVID HARVEY.

Playlist Picks: 'The Fall-Off Is Inevitable', 'Legacy', 'Ocean Way'.

Spin This: J. Cole - 'The Off-Season'

REVIEW: LABRINTH - COSMIC OPERA ACT I

4/5

He Is The Cosmos

Past is prelude, and it only seems like we've just been woken up from the September that British singer, songwriter, rapper and record producer, Labrinth, gave us his sonically charged 'PRELUDE' E.P. The perfect precursor to this. His new album, to awaken the love of a calm January, 'Cosmic Opera Act I'. It's time to act right in 2026, because the great Brit legacy maker is promising us even more to follow with their part one. Just like the seasons of his soundtrack. From Simon Cowell to Tinie Tempah. An 'Earthquake' up in here, to a 'Euphoria' with Zendaya, this cosmic boy has gone out of this world. Labrinth is now a legend. Going forth with his fourth album, and first since 2023's 'Ends & Begins', the LSD member (him, Sia, Diplo) is given us a whole new electronic earth. The imagination of this misfit kid is inspired.

Back to black, like Winehouse, with a deep, blood wine shirt on backwards to cover, this is album art. As soon as the for the record intro tells us this is 'Something Like An Opera', we know it's exactly, outstandingly, that. And the bass dominant 'Debris' that follows and falls like 'Get Out', will shake you to your core. "The roof is on fire/Nothing left of me/Party at my house/Now it's all debris/Now it's all debris/Picking up the pieces/Just another morning/Same old routine/Now it's all debris/I don't know these people/Welcome to the ruin/I'm the centerpiece/What the f### am I doing?", Timothy McKenzie asks. Right now, nobody mixes the Saturday night fight with Sunday sacrament quite like this Tim. This modern day classical influence continues on the INCREDIBLE 'IMPLOSION', in all-caps. Not to mention the mad scientist single, and sensational music video set of 'S.W.M.F.' ("Star Wars, motherf#####", indeed!) and the heavenly highlight, 'God Spoke'. Like this will, to you.

Space feels like the first and foremost frontier (I know that's 'Star Trek', quit your Jabb-ering, fans of 'Wars'), on this album that reaches for infinity like the cosmos. Delving deeper at an 'Interstellar' rate, further into the labyrinth, 'into the black hole' searches through your subconscious. All before the 'Big Bad Wolf', huffs, puffs and blows your house on the hill, all the way down, with lines like, "I'm f#####g awesome/My head get bigger than Austin/Hear my ego contorting/Feel myself like I'm choking/I eating on your offspring, I'm Mike Tyson, no cocaine/Make you feel those endorphins, man, I'm just too important/Now they're all saying there's something wrong/I got my head in the f#####g sun/All of my dreams get undone/I walk around like an unsung." Now, if you thought the sensational singer and songwriter had given up on the lyrical licks of rapping, then like a notorious one, you're dead wrong. 'I Keep My Promises' and McKenzie keeps moving in any direction the music in him takes him.

After the opulence of an 'Opera Interlude', Labrinth conducts an 'Orchestra' that will have you on your feet and up in applauding arms like the Royal Albert Hall. Just imagine how this set would sound here for the Hackney hometown hero. "Trumpet, trombone, violin, check/Here we got the sound of a feeble attempt/Begging for applause that I need to exist/When I bring the sound that will keep you possessed/I give you the horn, and I give you the bass/Larger than life when I'm hiding my pain/I'm the f#####g best 'cause I claw for my fame/Praying it's the cure to my sizey charade (Go)." Moving in a time lapse, like the singles cover art. This might just be Labrinth's best yet, from an artist whose magnum opus might just be his whole career, up in here. He understands the loneliness of 'Euphoria' and brings it all back for 'Still In Love With The Pain'. But when he is left 'Running A Red', akin to the shirt, that's when his heart bleeds all over the studio's floor. "Yeah, baby, I'm a slave to living on your medicine/'Til I walk upon that day/'Til I run up on that." There's a hidden yearn that burns here. Thank God, it wasn't left on the cutting room floor. We can't wait until he acts again in this opera. Like the prelude, this is just an overture. TIM DAVID HARVEY.

Playlist Picks: 'Debris', 'God Spoke', 'Running A Red'.

Spin This: Labrinth - 'PRELUDE E.P.'

LIVE REVIEW: TsuShiMaMiRe @ TOP BEAT CLUB, Tokyo, Japan (12/01/26)

4/5

Punk Power

Austin, Texas, USA. Renowned as the Live Music Capital of the World. That's where TsuShiMaMiRe, the Japanese all-female rock trio, made their name Stateside at the South By Southwest music festival. Punctuating this with performances with the Suicide Girls and at anime events for these Japan girl's nights. The only other city in America, apart from the jazzy likes of New Orleans and New York's hip-hop, that has quite an effect on the world's soundstage is Music City itself, Nashville, Tennessee. Such an iconic landmark of country and western music, that even Detroit's own Rock and Roll Hall of Fame White Stripe, Jack White, had his first Third Man record store there. 

Last March, TsuShiMaMiRe (abbreviated as TSMMR) supported White during the Tokyo set at Toyosu Pit of his brief but brilliant tour of Japan that also saw him make a surprise stop at the Shibuya store Hysteric Glamour, that just looks like an album cover. This gig, albeit getting in late because of the number roll call (I can only count to ten in Japanese...I'm just kidding...five), was my first introduction to Tokyo's perfect punk trio. Their bassist bending backwards with ease. Pulling better faces than Haim's Este, whereas I pull my back out these days, even reaching into the fridge. The lead singer, unafraid to cede some of the spotlight to a fellow star because we all know the bassist is the underscoring soul of any band.

Originally hailing from Chiba Prefecture, these jets, not to be confused with the Tsushima island in Japan, are art punk all the way down to their nuanced name. A neologism of their bassist, Yayoi Tsushima's family name combined with "Ma" (for vocalist and guitarist Mari Kono, with a style and pixie cut Yayoi Kusama would be proud of) "Mi" (for original drummer Mizue Masuda) and "mamire", which means "mixed up". Well, now TSMMR can add Hokkaido's own Addy, AKA, Asami Suzuki to their iconic name. Their new drummer, who won her sticks and is absolutely amazing on the skins. 

Influenced by the likes of Rage Against The Machine, this band have even had songs on Fortnite ('Break The Curse'). Now, sandwiched between last year's American tour, and this year's Ice Cream Punk Tour of Australia (starting at Shotkickers in Melbourne, February 19), they have just performed at Tokyo's Top Beat Club to start the working week. And this was one Monday you would have liked in one of the town's best hidden gems of a venue, serving drinks, music and damn good coffee. Their plectrum drink token (a 1,700 yen cover) being the perfect memento for those like me who don't drink (I still have my gold coin from Toyosu Pit), as all the acts strummed the night away.

Getting there a little late for this battalion of bands, I caught the tail end of my own country's amazing Mika Bomb and their bold and brilliant, boundless energy. The same that carried over for the terrific TsuShiMaMiRe, who showed us their soy sauce and a jukebox of instant sing-a-long hits like 'Brain', 'Sex' and 'Eel'. Kono being a kinetic stage presence, having audience members hold the mic as she sang into it and kept her energy effervescent, just like Yayoi's eyes and Asami's hands. Recently, from Aimyon to Sakanaction, we’ve talked about music in Japan, just like the latter's bassist Ami Kusakari linking up with fellow electronic artist Kyoka for MUTEK JP 10. It's their turn. It needs to be noticed and have its day outside of the Land of the Rising Sun, too. Anime is all over the world with its themes, and the neighbouring South Korea's K-Pop showed we don't have to be lost in translation. TsuShiMaMiRe are further proof that Japanese music rocks! TIM DAVID HARVEY.